Digital performance: Demoscene and the phenomenology of digital code

Demoscene is a computer subculture that proliferated throughout the 1980s and 1990s. This article examines one aspect of the Demoscene culture, the production of the ‘Demo’, a computer animation generated and performed in real-time visualization through digital code. I analyse the Demo as a technological and aesthetic form, speculating on its possibilities for theorizing a unique mode of digital image experience.