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Ryan
- Source: Empedocles: European Journal for the Philosophy of Communication, Volume 5, Issue 1-2, Jan 2015, p. 87 - 90
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- 01 Jan 2015
Abstract
Abstract
This article considers the ending of the short Canadian animation, Ryan (2004) by Chris Landreth. It addresses the role of continuity editing in vector graphics to argue that the film exhibits, despite its fantastic surface, a paradoxical form of realism.
© Intellect