1981
Precarity and the Moving Image
  • ISSN: 1757-1952
  • E-ISSN: 1757-1960

Abstract

The following introduction to the Special Issue addresses the problematic definition of the notion of precarity by highlighting its multifaceted value and possible interpretation in relation to the moving image. It also aims, at the same time, to show some directions in which, in accordance with the work of many scholars, it is possible to come with effective transversal modes of adopting and applying the concept. In this sense, the introduction also shows how the various papers of the Special Issue are capable to contribute to this understanding in unique and productive ways.

Loading

Article metrics loading...

/content/journals/10.1386/ejpc_00037_2
2022-06-01
2022-11-26
Loading full text...

Full text loading...

/deliver/fulltext/ejpc/13/1/ejpc.13.1.3.html?itemId=/content/journals/10.1386/ejpc_00037_2&mimeType=html&fmt=ahah

References

  1. Bardan, A.. ( 2013;), ‘ The new European cinema of precarity: A transnational perspective. ’, in E. Mazierska. (ed.), Work in Cinema, New York:: Palgrave Macmillan;, pp. 6990.
    [Google Scholar]
  2. Benjamin, W.. ( 1978), Reflections: Essays, Aphorisms and Autobiographical Writings (ed. Demetz, P.., trans. E. Jephcott), New York:: Harvest and HBJ Book;.
    [Google Scholar]
  3. Berlant, L.. ( 2011), Cruel Optimism, London:: Duke University Press;.
    [Google Scholar]
  4. Cavallero, L., and Gago, V.. ( 2021), A Feminist Reading of Debt (trans. L. Mason-Deese), London:: Pluto Press;.
    [Google Scholar]
  5. Ciccarelli, R.. ( 2021), Labour Power: Virtual and Actual in Digital Production (trans. E. C. Gainsforth), Cham:: Springer Nature;.
    [Google Scholar]
  6. Dardot, P., and Laval, C.. ( 2017), The New Way of the World: On Neoliberal Society (trans. G. Elliot), London:: Verso;.
    [Google Scholar]
  7. Deleuze, G.. ( 1997), Cinema 2: The Time-Image (trans. R. Galeta and H. Tomlinson), Minneapolis, MN:: University of Minnesota Press;.
    [Google Scholar]
  8. Fisher, M.. ( 2018), K-Punk: The Collected and Unpublished of Mark Fisher from 2004–2016 (ed. D. Ambrose.), London:: Repeater Books;.
    [Google Scholar]
  9. Gago, V.. ( 2020), Feminist International: How to Change Everything (trans. L. Mason-Deese), London:: Verso;.
    [Google Scholar]
  10. O’Shaughnessy, M.. ( 2019;), ‘ Putting the dead to work: Making sense of worker suicide in contemporary French and Francophone Belgian Film. ’, Studies of French Cinema, 19:4, pp. 31444, https://doi.org/10.1080/14715880.2018.1493645. Accessed 23 May 2022.
    [Google Scholar]
  11. Pinotti, A., and Somaini, A.. ( 2016), Cultura Visuale: Immagini, Sguardi, Media e Dispositivi, Turin:: Giulio Einaudi Editore;.
    [Google Scholar]
  12. Standing, G.. ( 2011), The Precariat: The New Dangerous Class, London:: Bloomsbury;.
    [Google Scholar]
  13. Steyerl, H.. ( 2012), The Wretched of the Screen, New York:: Sternberg Press;.
    [Google Scholar]
  14. Tooze, A.. ( 2021), Shutdown: How Covid Shook the World’s Economy, New York:: Viking;.
    [Google Scholar]
  15. Zaniello, T.. ( 2020), The Cinema of the Precariat: The Exploited, Underemployed, and Temp Workers of the World, London:: Bloomsbury;.
    [Google Scholar]
http://instance.metastore.ingenta.com/content/journals/10.1386/ejpc_00037_2
Loading
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error