Cabinet of precariousness: From the ephemeral image to the eternal image

References

1. Adams, Laurie Schneider. ( 2011), A History of Modern Art, New York:: McGraw-Hill;.
   [Google Scholar]
2. Adorno, Theodor. ( 2002), Aesthetic Theory, London:: Continuum;.
   [Google Scholar]
3. Alberti, Leon Battista, and Sinisgalli, Rocco. ( 2011), Leon Battista Alberti: On Painting, New York:: Cambridge University Press;.
   [Google Scholar]
4. Arnheim, Rudolf. ( 1974), Art and Visual Perception, Los Angeles, CA:: University of California Press;.
   [Google Scholar]
5. Baumgarten, Alexander G.. ( 1993), Estética, Petrópolis:: Vozes;.
   [Google Scholar]
6. Baxandall, Michael. ( 1986), Patterns of Intention, New Haven, CT:: Yale University Press;.
   [Google Scholar]
7. Belting, Hans. ( 2011), An Anthropology of Images, New Jersey, NJ:: Princeton University Press;.
   [Google Scholar]
8. Benjamin, Walter. ( 2007), Illuminations, New York:: Schoken Books;.
   [Google Scholar]
9. Bergman, Ingmar. ( 1966), Persona, Sweden:: AB Svensk Filmindustri;.
   [Google Scholar]
10. Bourriaud, Nicolas. ( 2002), Relational Aesthetics, Paris:: Les Presses du Réel;.
    [Google Scholar]
11. Brakhage, Stan. ( 1959), Window Water Baby Moving, USA:: The Film-Makers’ Cooperative;.
    [Google Scholar]
12. Dean, Tacita. ( 2011–12), Film, installation, Tate Modern, London:, 11 October–11 March.
    [Google Scholar]
13. Débray, Regis. ( 2001), Intriducción a la Mediología, Barcelona:: Paidós;.
    [Google Scholar]
14. Fincher, David. ( 1999), Fight Club, USA and Germany:: Fox 2000 Pictures, New Regency Productions and Linson Films;.
    [Google Scholar]
15. Ford, John. ( 1940), Grapes of Wrath, USA:: Twentieth Century Fox;.
    [Google Scholar]
16. Fox-Talbot, Henry. ( 1839;), ‘ Some account on the art of photogenic drawing. ’, http://www.lens-and-sensibility.eu/PDF/Photogenic-Drawing-1839.pdf. Accessed 20 February 2022.
17. Fox-Talbot, Henry. ( 1980;), ‘ A brief historical sketch of the invention of the art. ’, in A. Trachtenberg. (ed.), Classic Essays on Photography, New Haven, CT:: Leet’s Island Books;, pp. 27–36.
    [Google Scholar]
18. Franken, Mannus, and Ivens, Joris. ( 1929), Rain, the Netherlands:: Capi-Holland;.
    [Google Scholar]
19. Gance, Abel. ( 1922), La Roue, France:: Films Abel Gance;.
    [Google Scholar]
20. Gordon, Douglas. ( [1993] 2016–17), 24 Hour Psycho, installation, Modern Art Oxford:, Oxford;, 6 February–16 April.
    [Google Scholar]
21. Greenaway, Peter. ( 1991), Prospero’s Books, UK, the Netherlands, France, Italy and Japan:: Allarts, Cinéa and Caméra One;.
    [Google Scholar]
22. Heidegger, Martin. ( 2002), Off the Beaten Track, Cambridge:: Cambridge University Press;.
    [Google Scholar]
23. Ivens, Joris. ( 1988), A Story of the Wind, France, UK, West Germany and the Netherlands:: Air France, Capi Films and Channel Four Films;.
    [Google Scholar]
24. Jarman, Derek. ( 1993), Blue, UK and Japan:: Channel 4 Television Corporation, Arts Council of Great Britain and Opal Records;.
    [Google Scholar]
25. Leroi-Gourhan, André. ( 1993), Gesture and Speech, Cambridge, MA:: MIT Press;.
    [Google Scholar]
26. Lissitzky, El, and Arp, Hans. ( 1925), Kunstism, Zurich:: Eugene Rentsch Verlag;.
    [Google Scholar]
27. Malick, Terrence. ( 2011), The Tree of Life, USA:: Cottonwood Pictures, River Road Entertainment and Fox Searchlight Pictures;.
    [Google Scholar]
28. Marclay, Christian. ( 2010), The Clock, installation, White Cube, Mason’s Yard, London:, October.
    [Google Scholar]
29. Marker, Chris. ( 1983), Sans Soleil, France:: Argos Films;.
    [Google Scholar]
30. McLaren, Norman. ( 1991), On the Creative Process, Montreal:: NFBC;.
    [Google Scholar]
31. Mitchell, William John Thomas. ( 1986), Iconology: Image, Text, Ideology, Chicago, IL:: The University of Chicago Press;.
    [Google Scholar]
32. Moffett, Charles. ( 1986), The New Painting: Impressionism 1874–1886, Geneva:: Richard Burton;.
    [Google Scholar]
33. Munsterberg, Hugo. ( 1916), The Photoplay: A Psychological Study, New York:: D. Appleton and Company;.
    [Google Scholar]
34. Murray, Janet Horowitz. ( 1997), Hamlet on the Holodeck: The Future of Narrative in Cyberspace, New York:: The Free Press;.
    [Google Scholar]
35. Nichols, Mike. ( 1967), The Graduate, USA:: Lawrence Truman Productions;.
    [Google Scholar]
36. Nièpce, Nicephore. ( 1980;), ‘ Memoire on the heliograph. ’, in A. Trachtenberg. (ed.), Classic Essays on Photography, New Haven, CT:: Leet’s Island Books;, pp. 5–10.
    [Google Scholar]
37. Ozu, Yasujirô. ( 1953), Tokyo Story, Japan:: Shochiku;.
    [Google Scholar]
38. Paik, Nam June. ( 1965), Zen for film, USA:: MoMA;.
    [Google Scholar]
39. Pasolini, Pier Paolo. ( 1961), Accattone, Italy:: Arco Film and Cino del Duca;.
    [Google Scholar]
40. Pasolini, Pier Paolo. ( 1964), The Gospel According to Saint Matthew, Italy and France:: Arco Film and Lux Compagnie Cinématographique de France;.
    [Google Scholar]
41. Pasolini, Pier Paolo. ( 2005), Heretical Empiricism, Washington, DC:: New Academia;.
    [Google Scholar]
42. Resnais, Alain. ( 1961), L’Année Dernière à Marienbad, France and Italy:: Cocinor, Terra Film and Cormoran Films;.
    [Google Scholar]
43. Riegl, Alois. ( 1985), Late Roman Art Industry, Rome:: Giorgio Bretschneider Editore;.
    [Google Scholar]
44. Rossellini, Roberto. ( 1945), Rome, Open City, Italy:: Excelsa Film;.
    [Google Scholar]
45. Ruttmann, Walter. ( 1930), Wochenende, Germany:.
    [Google Scholar]
46. Scott, Ridley. ( 1982), Blade Runner, USA:: The Ladd Company, Shaw Brothers and Warner Bros;.
    [Google Scholar]
47. Stoichita, Victor. ( 1999), A Short History of the Shadow, London:: Reaktion Books;.
    [Google Scholar]
48. Stokstad, Marilyn, and Cothren, Michael W.. ( 2014), Art History, London:: Pearson Education;.
    [Google Scholar]
49. Warburg, Aby, and Rampley, Matthew. ( 2009;), ‘ The absorption of the expressive values of the past. ’, Art in Translation, 1:2, pp. 273–83, https://doi.org/10.2752/175613109X462708. Accessed 20 February 2022.
    [Google Scholar]
50. Weerasethakul, Apichatpong. ( 2021), Memoria, Colombia, Thailand, France, Germany, Mexico, Qatar, UK, China and Switzerland:: 185 Films, Anna Sanders Films and Beijing Contemporary Art Foundation;.
    [Google Scholar]
51. Winckelmann, Johann Joachim. ( 1972), Writings on Art, New York:: Phaidon;.
    [Google Scholar]
52. Zanker, Paul. ( 1988), The Power of Images in the Age of Augustus, Ann Arbor, MI:: The University of Michigan Press;.
    [Google Scholar]
53. Nogueira, Luís. ( 2022;), ‘ Cabinet of precariousness: From the ephemeral image to the eternal image. ’, Empedocles: European Journal for the Philosophy of Communication, 13:1, pp. 69–86, https://doi.org/10.1386/ejpc_00042_1
    [Google Scholar]