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1981
Volume 21, Issue 2
  • ISSN: 1743-5234
  • E-ISSN: 2040-090X

Abstract

Review of: , curated by Lindelwa Pepu, with support from Zamani Gwamanda and Siyanda Mchunu

Empangeni Art and Cultural Museum, Empangeni, 25 September–30 November 2024

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/content/journals/10.1386/eta_00202_5
2025-06-12
2026-04-10

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References

  1. Boram-Hayes, C. (2015), ‘Mantle for royalty: The beadwork of the Nongoma region’, in A. Nettleton (ed.), Beadwork, Art and the Body, Johannesburg: Wits University Press, pp. 2949.
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  2. GatField, R. C. (2019), ‘The isimodeni style: Traditional beadwork, Zulu trinket or South African sartorial tradition on Durban’s Golden Mile?’, Anthropology Southern Africa, 42:2, pp. 12748, https://doi.org/10.1080/23323256.2018.1538735.
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  3. Jolles, F. (1993), ‘Traditional Zulu beadwork of the Msinga area’, African Arts, 26:1, pp. 42102.
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  4. UNESCO (2024), ‘Text of the Convention for the Safeguarding of the Intangible Cultural Heritage’, https://ich.unesco.org/doc/src/2003_Convention_Basic_Texts_2024_version_EN.pdf. Accessed 9 February 2025.
  5. University of the Sunshine Coast (2025), ‘Research output reporting: Information on UniSC reportable publication schemes’, 23 April, https://libguides.usc.edu.au/HERDC-ERA/NTRO-publication-categories. Accessed 19 March 2025.
  6. Van Wyk, G. (2003), ‘Illuminated signs: Style and meaning in the beadwork of the Xhosa and Zulu- speaking peoples’, African Arts, 36:3, pp. 9394.
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  • Article Type: Other review
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