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Fashioning Girlhood across the Media in the Mid–Twentieth Century
  • ISSN: 2044-2823
  • E-ISSN: 2044-2831

Abstract

This article focuses on the ways that ballet was presented for girl readers to consume in (Hulton Press, 1952–64). was a weekly publication, part of girls’ periodical culture in Britain, which was thriving in the 1950s and 1960s. The ballet content it contained was one aspect of the growing British cultural engagement with ballet in the mid-twentieth century. This broader engagement included watching films and attending performances. In addition, for younger participants, especially girls, this may have been accompanied by participation in ballet classes and reading ballet fiction and non-fiction. encompasses all these forms of engagement with ballet through key fictional comic strip ‘Belle of the Ballet’, photographs of performances, pin-ups featuring dancers and paintings about ballet, articles and non-fiction companion volumes. Arnold Haskell, significant in changing how ballet was understood in Britain, was also involved with content in . This connection resulted in readers having the opportunity to compete for an annual ballet scholarship and participate in ballet lessons. In exploring ballet in , the article draws together considerations of how ballet practice, costume, other media involving ballet and dancers’ street clothes were portrayed and the ways that class, ballet and girls’ culture were intertwined.

This article is Open Access under the terms of the Creative Commons Attribution 4.0 International licence (CC-BY 4.0), which permits unrestricted use, distribution and reproduction in any medium, provided the original work is properly cited. The CC BY licence permits commercial and noncommercial reuse. To view a copy of the licence, visit https://creativecommons.org/licenses/by/4.0/
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2023-07-03
2024-09-11
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  • Article Type: Article
Keyword(s): class; comics; consumption; costume; dance; film; girlhood; readers
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