Spectres, Marx's Theory of Value, and the Horror Film

Mike Wayne

doi:10.1386/fiin.2.4.4

ISSN: 1651-6826
E-ISSN: 2040-3801

Spectres, Marx's Theory of Value, and the Horror Film
By Mike Wayne¹
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¹ Brunel University, UK.
Source: Film International, Volume 2, Issue 4, Jul 2004, p. 4 - 13
DOI: https://doi.org/10.1386/fiin.2.4.4
Language: English
- Published online: 01 Jul 2004

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Abstract

Spectrality gives us a unique language to think about Marx's critique of capitalism, namely the latter's metaphysics, its idealism and its peculiar dematerialising materialism, says Mike Wayne.

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2004-07-01

2026-04-12

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Spectres, Marx's Theory of Value, and the Horror Film

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