For Those of You Just Swinging In

References

1. Alfaro, Maria. ( 1996;), ‘ Intertextuality: Origins and Development of the Concept. ’, Atlantis, 18:1&2, pp. 268–85, https://www.jstor.org/stable/pdf/41054827.pdf. Accessed 10 November 2016.
   [Google Scholar]
2. Bond, Paul. ( n.d.;), ‘ Steven Spielberg Predicts Implosion of the Film Industry. ’, Hollywood Reporter, http://www.hollywoodreporter.com/news/steven-spielberg-predicts-implosion-film-567604. Accessed 27 April 2016.
   [Google Scholar]
3. Buckland, Warren. ( 2006), Directed by Steven Spielberg: Poetics of the Contemporary Hollywood Blockbuster, London:: Continuum;.
   [Google Scholar]
4. Campbell, Joseph. ( 1973), The Hero with a Thousand Faces, Bollingen Series, Princeton:: Princeton University Press;.
   [Google Scholar]
5. Carroll, Noël. ( 1982;), ‘ The Future of Allusion: Hollywood in the Seventies (and Beyond). ’, October, 20, Spring, pp. 51–81, https://www.jstor.org/stable/778606?seq=1#page_scan_tab_contents. Accessed 10 November 2016.
   [Google Scholar]
6. Cline, William C.. ( 1997), In the Nick of Time, Jefferson, NC:: McFarland Classics;.
   [Google Scholar]
7. Cline, William C.. ( 2000), Serials-ly Speaking: Essays on Cliffhangers, Jefferson, NC:: McFarland & Co Inc;.
   [Google Scholar]
8. Crouch, Bill. ( 1987), Dick Tracy: America’s Most Famous Detective. The Life and Times of Chester Gould’s Immortal Sleuth, Don Mills:: Citadel Press;.
   [Google Scholar]
9. DeMarco, Mario. ( 1989), The Serials: Lights, Camera, Action! Action! Action!, n.p.:: Mario DeMarco;.
   [Google Scholar]
10. Dika, Vera. ( 2012), Recycled Culture in Contemporary Art and Film, Cambridge:: Cambridge University Press;.
    [Google Scholar]
11. Ebert, Roger. ( 2000;), ‘ Raiders of the Lost Ark Review. ’, RogerEbert.Com, 30 April, http://www.rogerebert.com/reviews/great-movie-raiders-of-the-lost-ark-1981. Accessed 14 November 2016.
    [Google Scholar]
12. Friedman, Lester D., and Notbohm, Brent. ( 2000), Steven Spielberg: Interviews (Conversations with Filmmakers Series), Jackson, MS:: University Press of Mississippi;.
    [Google Scholar]
13. Gallagher, Robert. ( 2012;), ‘ Indiana Jones and Me: John Williams. ’, Empireonline.com, 11 October, http://www.empireonline.com/movies/features/indiana-jones-john-williams. Accessed 1 May 2017.
    [Google Scholar]
14. Gordon, Andrew. ( 2008), Empire of Dreams: The Science Fiction and Fantasy Films of Steven Spielberg, n.p.:: Rowman & Littlefield;.
    [Google Scholar]
15. Haberski, Raymond. ( 2007), Freedom to Offend: How New York Remade Movie Culture, Lexington, KY:: University of Kentucky Press;.
    [Google Scholar]
16. Harmetz, Aljean. ( 2013), The Making of the Wizard of Oz, Chicago, IL:: Chicago Review Press;.
    [Google Scholar]
17. Hearn, Marcus. ( 2005), The Cinema of George Lucas, New York:: Harry N. Abrams;.
    [Google Scholar]
18. Hershey, Robert Jr.. ( 1981;), ‘ How the Oil Glut is Changing Business. ’, New York Times Business Day, 21 June, http://www.nytimes.com/1981/06/21/business/how-the-oil-glut-is-changing-business.html?pagewanted=all. Accessed 29 May 2017.
    [Google Scholar]
19. Heston, Charles, and Isbouts, Jean Pierre. ( 1998), Charlton Heston’s Hollywood: 50 Years in American Film, New York:: GT Publishing Corporation;.
    [Google Scholar]
20. Higgins, Scott. ( 2016), Matinee Melodrama: Playing with Formula in the Sound Serial, New Brunswick, NJ:: Rutgers University Press;.
    [Google Scholar]
21. Holler, Ann, and Johnson, Kristine H.. ( n.d.), Raiders of the Lost Ark Collector’s Album, Movie Special 81-2, New York:: George Fenmore Associates Inc;.
    [Google Scholar]
22. Holquist, Michael, and Bakhtin, M. M.. ( 1982), The Dialogic Imagination: Four Essays, Austin, TX:: University of Texas Press;.
    [Google Scholar]
23. Jameson, Fredric. ( 1998), The Cultural Turn: Selected Writings on the Postmodern, 1983–1998, New York:: Verso Books;.
    [Google Scholar]
24. Kendrick, James. ( 2014), Darkness in the Bliss-Out: A Reconsideration of the Films of Steven Spielberg, New York:: Bloomsbury;.
    [Google Scholar]
25. Kowalski, Dean. ( 2010), Steven Spielberg and Philosophy: We’re Gonna Need a Bigger Book, Lexington, KY:: University of Kentucky Press;.
    [Google Scholar]
26. Larkin, Rochelle. ( 1975), Hail, Columbia, New York:: Arlington House Publishers;.
    [Google Scholar]
27. Luceno, Jim. ( 2008), Indiana Jones: The Ultimate Guide, New York:: DK Books;.
    [Google Scholar]
28. Marquis, Elizabeth. ( 2011;), ‘ We’ll Always Have Bogart: Allusion, Nostalgia, and Critique in Play It Again, Sam. ’, Journal of Popular Film and Television, 39:4, pp. 174–82, https://www.tandfonline.com/doi/abs/10.1080/01956051.2011.602760. Accessed 6 December 2016.
    [Google Scholar]
29. Mathis, Jack. ( 1975), Valley of the Cliffhangers, New York:: Jack Mathis Advertising;.
    [Google Scholar]
30. Maxford, Howard. ( 2000), George Lucas Companion, London:: B.T. Batsford;.
    [Google Scholar]
31. McCartney, Anthony. ( 2016;), ‘ Filming Accidents Often Go Untold: Death of Off Screen Movie Workers “Swept Under the Rug”. ’, TorontoSun.com, 21 November, https://torontosun.com/2016/11/21/filming-accidents-often-go-untold-deaths-of-off-screen-workers-swept-under-the-rug/wcm/8188310b-b0a5-490a-9b27-4e9ee6b359ff. Accessed 2 May 2017.
    [Google Scholar]
32. Moi, Tori. ( 1986), The Kristeva Reader, New York:: Columbia University Press;.
    [Google Scholar]
33. Mooelem, Jon. ( 2016;), ‘ Inside the Mind of Steven Spielberg, Hollywood’s Big, Friendly Giant. ’, Wired Magazine, July, https://www.wired.com/2016/06/steven-spielberg-the-bfg/. Accessed 12 November 2016.
    [Google Scholar]
34. Morris, Nigel. ( 2007), The Cinema of Steven Spielberg: Empire of Light, New York:: Wallflower Press;.
    [Google Scholar]
35. Nadoolman, Deborah. ( 2005;), ‘ Interview by Mike French & Gilles Verschuere. ’, Raider.Net, 14 September, https://web.archive.org/web/20140327132541/ http://www.theraider.net/features/interviews/deborah_nadoolman.php. Accessed 27 April 2017.
    [Google Scholar]
36. Prince, Stephen. ( 2002), A New Pot of Gold: Hollywood Under the Electronic Rainbow, 1980–1989, Los Angeles, CA:: University of California Press;.
    [Google Scholar]
37. Rinzler, Johnathan. ( 2008), The Complete Making of Indiana Jones, New York:: Del Rey;.
    [Google Scholar]
38. Schickle, Richard. ( 1981;), ‘ Cinema: Slam! Bang! A Movie Movie. ’, TIME Magazine.com, 15 June, http://content.time.com/time/magazine/article/0,9171,949205,00.html. Accessed 29 May 2017.
    [Google Scholar]
39. Schober, Adria, and Olson, Debbie. ( 2000), Children in the Films of Steven Spielberg, London:: Lexington Books;.
    [Google Scholar]
40. Scott, Higgins. ( n.d.;), ‘ Serial Art. ’, Scott Higgins, Thinking Cinematically: Conjecture, Convictions, and Other Unsubstantiated Ideas, http://shiggins.blogs.wesleyan.edu/2010/10/11/serial-art. Accessed 20 April 2017.
    [Google Scholar]
41. Sinyard, Neil. ( 1986), The Films of Steven Spielberg, New York:: Bison Books;.
    [Google Scholar]
42. Stedman, Raymond William. ( 1971), The Serials: Suspense and Drama by Installment, Norman, OK:: University of Oklahoma Press;.
    [Google Scholar]
43. Vaz, Mark Cotta, and Hata, Shinji. ( 1994), From Star Wars to Indiana Jones: The Best of the Lucasfilm Archives, San Francisco, CA:: Chronicle Books;.
    [Google Scholar]
44. Weiss, Ken. ( 1972), To Be Continued, New York:: Bonanza Books;.
    [Google Scholar]
45. Williams, John. ( 2012;), ‘ Indiana Jones and Me. ’, Empire, 11 October, http://www.empireonline.com/movies/features/indiana-jones-john-williams/. Accessed 1 May 2017.
    [Google Scholar]