Disciplining the Reader

References

1. Brontë, Anne. ( 1848), The Tenant of Wildfell Hall, Oxford:: Oxford University Press;.
   [Google Scholar]
2. Brunette, Peter. ( 2010), Michael Haneke, Champaign, IL:: University of Illinois Press;.
   [Google Scholar]
3. Bueler, Lois. ( 1994), Clarissa’s Plots, Newark, NJ:: University of Delaware Press;.
   [Google Scholar]
4. Capra, Frank. ( 1934), It Happened One Night, USA:: Columbia Pictures;.
   [Google Scholar]
5. Collins, Wilkie. ( [1859] 2003), The Woman in White, London:: Penguin Classics;.
   [Google Scholar]
6. Debord, Guy. ( 1967), The Society of the Spectacle, New York:: Zone Books;.
   [Google Scholar]
7. Dickens, Charles. ( [1859] 2003), A Tale of Two Cities, London:: Penguin Classics;.
   [Google Scholar]
8. Eliot, George. ( [1860] 2003), The Mill on the Floss, London:: Penguin Classics;.
   [Google Scholar]
9. Foucault, Michel. ( 1977), Discipline and Punish: The Birth of the Prison (trans. A. Sheridan.), New York:: Vintage Books;.
   [Google Scholar]
10. Freud, Sigmund. ( [1929] 1989), Civilization and Its Discontents (trans. P. Gray.), , std. ed.., London:: W. W. Norton & Co;.
    [Google Scholar]
11. Gonsalves, Rob. ( 2001;), ‘ Review of The Score. ’, eFilmcritic.com, 13 July, http://www.efilmcritic.com/review.php?movie=5476&reviewer=416. Accessed 30 November 2021.
12. Lacan, Jacques. ( [1959] 1997), Seminar VII: The Ethics of Psychoanalysis, New York:: W. W. Norton & Co;.
    [Google Scholar]
13. Litvak, Joseph. ( 1992), Caught in the Act: Theatricality in the Nineteenth-Century English Novel, Berkeley, CA:: University of California Press;.
    [Google Scholar]
14. McGowan, Todd. ( 2004), The End of Dissatisfaction? Jacques Lacan and the Emerging Society of Enjoyment, Albany, NY:: State University of New York Press;.
    [Google Scholar]
15. McGowan, Todd. ( 2007), The Impossible David Lynch, New York:: Columbia University Press;.
    [Google Scholar]
16. Miller, David A.. ( 1988), The Novel and the Police, Berkeley, CA:: University of California Press;.
    [Google Scholar]
17. Mulvey, Laura. ( [1977] 2004;), ‘ Visual Pleasure and Narrative Cinema. ’, in L. Braudy, and M. Cohen. (eds), Film Theory and Criticism, , 6th ed.., Oxford:: Oxford University Press;, pp. 833–44.
    [Google Scholar]
18. Neroni, Hilary. ( 2005), The Violent Woman: Femininity, Narrative, and Violence in Contemporary American Cinema, Albany, NY:: SUNY Albany Press;.
    [Google Scholar]
19. Restuccia, Frances. ( 2008;), ‘ Turning Anxiety into Shame in Haneke’s Cache. ’, unpublished manuscript, Department of English, Boston College.
20. Richardson, Samuel. ( [1748] 1985), Clarissa, or the History of a Young Lady, New York:: Penguin Books;.
    [Google Scholar]
21. Rob’s Movie Vault ( 2001;), ‘ The Score. ’, review, 13 July, https://robsmovievault.wordpress.com/2001/07/13/the-score/. Accessed 10 May 2022.
    [Google Scholar]
22. Speck, Oliver C.. ( 2010), Funny Frames: The Filmic Concepts of Michael Haneke, New York:: Continuum Publishing;.
    [Google Scholar]
23. Wheatley, Catherine. ( 2011), Cache, London:: Palgrave Publishing Co;.
    [Google Scholar]
24. Žižek, Slavoj. ( 1989), The Sublime Object of Ideology, London:: Verso Books;.
    [Google Scholar]