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1981
Volume 20, Issue 3
  • ISSN: 1651-6826
  • E-ISSN: 2040-3801
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2023-03-09
2026-04-16

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References

  1. Smith, Iain Robert. ( 2008;), ‘ Beam Me Up, Ömer: Transnational Media Flow and the Cultural Politics of the Turkish Star Trek Remake. ’, Velvet Light Trap, 61, pp. 1–13.
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  2. Smith, Iain Robert. ( 2017), The Hollywood Meme: Transnational Adaptations in World Cinema, Edinburgh:: Edinburgh University Press;.
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  3. Smith, Iain Robert, and Verevis, Constantine. (eds) ( 2017), Transnational Film Remakes, Edinburgh:: Edinburgh University Press;.
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  4. Vieira, João Luiz, and Stam, Robert. ( 1990;), ‘ Parody and Marginality: The Case of Brazilian Cinema. ’, in M. Alvarado, and J. O. Thompson. (eds), The Media Reader, London:: British Film Institute;, pp. 82–104.
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/content/journals/10.1386/fint_00182_4
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Cross-Cultural Translation
Film International 20, 136 (2022); https://doi.org/10.1386/fint_00182_4
/content/journals/10.1386/fint_00182_4
/content/journals/10.1386/fint_00182_4
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  • Article Type: Other review
Keyword(s): Aatank (‘Terror’); adaptation; Das doppelte Lottchen; Jaws; Kuzhandaiyum Deivamum; The Last Shark (L’ultimo squalo); The Parent Trap; transnational film remakes

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