Skip to content
1981
Volume 21, Issue 1-2
  • ISSN: 1651-6826
  • E-ISSN: 2040-3801
Preview this article:

There is no abstract available.

Loading

Article metrics loading...

/content/journals/10.1386/fint_00203_1
2024-04-15
2024-07-19
Loading full text...

Full text loading...

References

  1. Anon. (2017), The National Inquiry into Missing and Murdered Indigenous Women and Girls, MMIWG Report, n.p.: Her Majesty the Queen in Right of Canada, https://femicideincanada.ca/sites/default/files/2017-12/MMIWG%20INTERIM%20REPORT%20%282017%29.pdf. Accessed 8 October 2019.
    [Google Scholar]
  2. Barclay, Barry (2003), ‘Celebrating Fourth Cinema’, Illusions Magazine 35, pp. 711.
    [Google Scholar]
  3. Blaney, Faye (2009), ‘Finding Dawn: A Guide for Teaching and Action’, National Film Board of Canada, https://www3.onf.ca/sg/100567.pdf. Accessed 13 August 2019.
  4. Bordwell, David (1979), ‘The Art Cinema as a Mode of Film Practice’, Film Criticism, 4:1, pp. 5663.
    [Google Scholar]
  5. Cassell, Jessica (2014), ‘The Crisis of Missing and Murdered Aboriginal Women Is a Crisis of Capitalism’, Communist Revolution, 24 September, https://www.marxist.ca/article/the-crisis-of-missing-and-murdered-aboriginal-women-is-a-crisis-of-capitalism. Accessed 12 September 2019.
    [Google Scholar]
  6. Evans, Jessica (2019), ‘Colonialism, Racism, and the Transition to Capitalism in Canada’, in X. Lafrance and C. Post (eds), Case Studies in the Origins of Capitalism, London: Palgrave Macmillan, pp. 191214.
    [Google Scholar]
  7. Forsyth, Scott (1997), ‘Marxism, Film and Theory: From the Barricades to Postmodernism’, L. Panitch (ed.), Ruthless Criticism of All That Exists: The Socialist Register, London: New Jersey Humanities Press, pp. 26587.
    [Google Scholar]
  8. Gauthier, Jennifer (2015), ‘Embodying Change: Cinematic Representations of Indigenous Women’s Bodies, A Cross-Cultural Comparison’, International Journal of Media and Cultural Politics 11:3, pp. 283300.
    [Google Scholar]
  9. Hargreaves, Allison (2015), ‘Finding Dawn and Missing Women in Canada: Story-Based Methods in Antiviolence Research and Remembrance’, Studies in American Indian Literatures, 27:3, pp. 82111.
    [Google Scholar]
  10. Kelada, Odette and Clark, Maddee (2019), ‘Beyond the Wonderland of Whiteness: The Blak Wave of Indigenous Women Shaping Race on Screen’, in F. Collins, J. Landman and S. Bye (eds), A Companion to Australian Cinema, Hoboken, NJ: Wiley-Blackwell, pp. 10730.
    [Google Scholar]
  11. Lavell-Harvard, Dawn Memee and Brant, Jennifer (2016), Forever Loved: Exposing the Hidden Crisis of Missing and Murdered Indigenous Women and Girls in Canada, Ontario: Demeter Press.
    [Google Scholar]
  12. Maltby, Richard (1998), ‘“Nobody Knows Everything”: Post-Classical Historiographies and Consolidated Entertainment’, in S. Neale and M. Smith (eds), Contemporary Hollywood Cinema, Abingdon: Routledge, pp. 2157.
    [Google Scholar]
  13. Marx, Karl and Engels, Fredrich ([1848] 2008), The Communist Manifesto, London: Pluto.
    [Google Scholar]
  14. MMIWG Report (2019), Reclaiming Power and Place: The National Inquiry into Missing and Murdered Indigenous Women and Girls, n.p.: Her Majesty the Queen in Right of Canada, https://www.mmiwg-ffada.ca/wp-content/uploads/2019/06/Final_Report_Vol_1a-1.pdf. Accessed 8 October 2019.
  15. Moffat, Kate (2017), ‘Saamelainen elokuvakulttuuri muotoutuvana “verkostoelokuvana”’ (‘Sámi Film Culture as an Emerging “Network Cinema”’), Lähikuva, 30:2, pp. 826 (in Finnish).
    [Google Scholar]
  16. Petrie, Duncan (2010), ‘Cinema in a Settler Society: Brand New Zealand’, in D. Iordanova, D. Martin-Jones and B. Vidal (eds), Cinema at the Periphery, Detroit, MI: Wayne State University, pp. 6783.
    [Google Scholar]
  17. Smiley, Matthew (2015), Highway of Tears, Canada: Finesse Films/Paracas Independent Films.
    [Google Scholar]
  18. Stote, Karen (2012), ‘The Coercive Sterilization of Aboriginal Women in Canada’, American Indian Culture and Research Journal, 36, pp. 11750.
    [Google Scholar]
  19. Tailfeathers, Elle-Máijá (2011), Bloodland, Canada: Elle-Máijá Tailfeathers.
    [Google Scholar]
  20. Tailfeathers, Elle-Máijá and Hepburn, Kathleen (2019), The Body Remembers When the World Broke Open, Canada/Norway: Experimental Forest Films/Film Farms/Oslo Pictures/Violator Films/William F. White International.
    [Google Scholar]
  21. Tailfeathers, Elle-Máijá (2012), A Red Girl’s Reasoning, Canada: Rose Stiffarm.
    [Google Scholar]
  22. Welsh, Christine (2006), Finding Dawn, Canada: National Film Board of Canada.
    [Google Scholar]
/content/journals/10.1386/fint_00203_1
Loading
/content/journals/10.1386/fint_00203_1
Loading

Data & Media loading...

This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error