Skip to content
1981
Volume 21, Issue 1-2
  • ISSN: 1651-6826
  • E-ISSN: 2040-3801
Preview this article:

There is no abstract available.

Loading

Article metrics loading...

/content/journals/10.1386/fint_00206_1
2024-04-15
2024-07-19
Loading full text...

Full text loading...

References

  1. Alfano, M. (2013), ‘The Most Agreeable of All Vices: Nietzsche as Virtue Epistemologist’, British Journal for the History of Philosophy, 21:4, pp. 76790.
    [Google Scholar]
  2. Alien Anthology (2019), ‘Prometheus | Young Peter Weyland TED’, YouTube, 18 January, https://www.youtube.com/watch?v=a1E_mxgqngI. Accessed 4 December 2022.
  3. Allen, N. (2018), ‘Panos Cosmatos on Crafting His Heavy Metal Valentine, Mandy: Interviews: Roger Ebert, Interviews’, Roger Ebert, 12 September, https://www.rogerebert.com/interviews/panos-cosmatos-on-crating-his-heavy-metal-valentine-mandy. Accessed 5 December 2022.
  4. Anfam, D. (2010), ‘When History Collapses into the Present: Tate Etc’, Tate, 1 January, https://www.tate.org.uk/tate-etc/issue-18-spring-2010/when-history-collapses-present. Accessed 6 December 2022.
  5. Bloom, M. (2020), ‘How Did the Fake Cult Leader from the Movie Mandy Make a Real Album?’, Pitchfork, 23 November, https://pitchfork.com/thepitch/jeremiah-sand-mandy-interview/. Accessed 23 December 2022.
  6. Bojalad, A. (2022), ‘Why Guillermo del Toro Plays with Figurines in the Cabinet of Curiosities’, Den of Geek, 25 October, https://www.denofgeek.com/tv/why-guillermo-del-toro-plays-with-dolls-in-the-cabinet-of-curiosities-intros/. Accessed 2 January 2023.
  7. Brayton, T. (2020), ‘Beyond the Black Rainbow (2010): Movie Review’, Alternate Ending, 1 March, https://www.alternateending.com/2015/03/the-back-of-beyond.html. Accessed 9 January 2023.
  8. Brown, P. (2012), ‘Interview: Beyond the Black Rainbow Director Panos Cosmatos’, That Shelf, 6 June, https://thatshelf.com/interview-beyond-the-black-rainbow-director-panos-cosmatos/. Accessed 6 December 2022.
  9. Cohen, J. J. (1996), Monster Theory: Reading Culture, Minneapolis, MN: University of Minnesota Press.
    [Google Scholar]
  10. Comunicación e Información (2009), ‘Reynosa: The Battle for the Plaza’, Proceso, 22 February, https://web.archive.org/web/20130615015122/http://hemeroteca.proceso.com.mx/?page_id=278958&a51dc26366d99bb5fa29cea4747565fec=86083&rl=wh. Accessed 16 December 2022.
  11. Cosmatos, P. (2010), Beyond the Black Rainbow, Canada: Mongrel Media.
    [Google Scholar]
  12. Cosmatos, P. (2012), ‘Twitter Post Regarding Prometheus’, Twitter, 9 June, https://twitter.com/panoscosmatos/status/211249447865290753. Accessed 4 December 2022.
  13. Cosmatos, P. (2018), Mandy, USA and Belgium: RLJE Films.
    [Google Scholar]
  14. Dalwood, D. (2017), ‘What Is the History in Contemporary History Painting?’, Professorial Lecture Series 2016–17, Bath Spa University, Bath, UK, 29 March.
    [Google Scholar]
  15. De Groot, G. J. (1995), ‘The Limits of Moral Protest and Participatory Democracy: The Vietnam Day Committee’, Pacific Historical Review, 64:1, pp. 95119, https://doi.org/10.2307/3640336.
    [Google Scholar]
  16. de los Santos Kahambing, J. G. (2021), ‘Žižek’s Nietzsche and the Insufficiency of Trauma for a Posthuman Übermensch’, International Journal of Žižek Studies, 15:2, https://zizekstudies.org/index.php/IJZS/article/view/1205#:~:text=los%20Santos%20Kahambing-,Abstract,to%20the%20concept%20of%20trauma. Accessed 28 November 2023.
    [Google Scholar]
  17. Edelman, C. (2015), ‘A Heifer’s Horns in Chapman’s All Fools’, The Explicator, 73:3, pp. 18386.
    [Google Scholar]
  18. Elcock, C. (2013), ‘From Acid Revolution to Entheogenic Evolution: Psychedelic Philosophy in the Sixties and Beyond’, Journal of American Culture, 36:4, pp. 296311.
    [Google Scholar]
  19. Essman, S. (2009), ‘The Making of the Controversial Non-Dialogue Feature Film Begotten’, Student Filmmakers Magazine, February, https://www.studentfilmmakers.com/the-making-of-the-controversial-non-dialogue-feature-film-begotten/. Accessed 14 December 2022.
    [Google Scholar]
  20. Felluga, D. (2011), ‘Modules on Marx: On Fetishism’, in Introductory Guide to Critical Theory, West Lafayette: Purdue University, http://www.purdue.edu/guidetotheory/marxism/modules/marxfetishism.html. Accessed 2 January 2023.
    [Google Scholar]
  21. Freud, S. (1914), On the History of the Psycho-Analytic Movement (ed. J. Strachey), Standard Edition of the Complete Psychological Works of Sigmund Freud, vol. 14, London: Hogarth Press.
    [Google Scholar]
  22. Freud, S. (1926), Inhibitions, Symptoms and Anxiety (trans. J. Strachey), Standard Edition of the Complete Psychological Works of Sigmund Freud, vol. 20, London: Hogarth Press.
    [Google Scholar]
  23. Freud, S. (1933), New Introductory Lectures on Psychoanalysis (trans. J. Strachey), Standard Edition of the Complete Psychological Works of Sigmund Freud, vol. 22, London: Hogarth Press.
    [Google Scholar]
  24. Freud, S. (1939), Moses and Monotheism, Letchworth: Hogarth Press and Institute of Psychoanalysis.
    [Google Scholar]
  25. Freud, S. ([1923] 1974), The Ego and the Id, International Psycho-Analytical Library, London: Hogarth Press.
    [Google Scholar]
  26. Gatehouse, G. (2016), ‘My Search for Gaddafi’s Golden Gun’, BBC News, 3 February, https://www.bbc.co.uk/news/magazine-35466077. Accessed 16 December 2022.
  27. Gillespie, M. A. (2005), ‘“Slouching toward Bethlehem to Be Born”: On the Nature and Meaning of Nietzsche’s Superman’, Journal of Nietzsche Studies, 30, pp. 4969.
    [Google Scholar]
  28. Gold Plated AK104 Assault Rifle (2022), Canberra: Australian War Memorial, https://www.awm.gov.au/collection/C1196876. Accessed 16 December 2022.
  29. Grayson, G. (2012), The Executioner’s Men: Los Zetas, Rogue Soldiers, Criminal Entrepreneurs, and the Shadow State They Created, New Brunswick and London: Transaction Publishers.
    [Google Scholar]
  30. Greene, S. (2022), ‘How “The Viewing” Pulled Off a Face-Melting Finale’, IndieWire, 11 November, https://www.indiewire.com/features/general/cabinet-of-curiosities-netflix-the-viewing-ending-1234781184/. Accessed 28 November 2023.
  31. Grof, S. (2000), Psychology of the Future: Lessons from Modern Consciousness Research, Albany, NY: State University of New York Press.
    [Google Scholar]
  32. Harrison, M. (2015), ‘Apocalypse Culture’, in G. Misiroglu (ed.), American Countercultures: An Encyclopedia of Nonconformists, Alternative Lifestyles, and Radical Ideas in US History, London and New York: Routledge, p. 41.
    [Google Scholar]
  33. Heath, R. (2018), ‘Panos Cosmatos, Mandy (2018)’, Film Freedonia, 7 October, https://filmfreedonia.com/tag/panos-cosmatos/. Accessed 5 December 2022.
  34. Hurst, A. (2020), ‘Capitalism and the Banality of Desire’, Journal of the British Society for Phenomenology, 51:4, pp. 288304.
    [Google Scholar]
  35. Huxley, A. (2004), The Doors of Perception [1954], New York: Harper.
    [Google Scholar]
  36. Jacobs, M. (2015), ‘Confronting the (Un) Reality of Pranksterdom: Tom Wolfe and The Electric Kool-Aid Acid Test’, Literary Journalism Studies, 7:2, pp. 11518.
    [Google Scholar]
  37. Kelly, C. (2018), Cheddar Goblin, Bullion Productions, https://www.bullionproductions.com/portfolio/cheddar-goblin/. Accessed 28 November 2023.
  38. Kernberg, O. (1975), Borderline Conditions and Pathological Narcissism, New York: Aronson.
    [Google Scholar]
  39. Kerr, C. (2001), The Gold and the Blue: A Personal Memoir of the University of California, 1949–1967, vol. 2, Berkeley, CA: University of California Press.
    [Google Scholar]
  40. Koven, M. J. (2006), La Dolce Morte: Vernacular Cinema and the Italian Giallo Film, Lanham, MD: Scarecrow Press.
    [Google Scholar]
  41. Kristeva, J. (1982), Powers of Horror, vol. 98, Columbia and Princeton, NJ: University Presses of California.
    [Google Scholar]
  42. Kul-Want, C. (2011), Introducing Slavoj Žižek: A Graphic Guide, London: Icon Books.
    [Google Scholar]
  43. Landekic, L. (2022), ‘Guillermo del Toro’s Cabinet of Curiosities’, Art of the Title, 25 November, https://www.artofthetitle.com/title/guillermo-del-toros-cabinet-of-curiosities/. Accessed 28 November 2023.
  44. Lazic, E. (2018), ‘Brutal Finality: Panos Cosmatos Discusses Mandy’, MUBI, 15 October, https://mubi.com/notebook/posts/brutal-finality-panos-cosmatos-discusses-mandy. Accessed 3 December 2022.
  45. Lewis, D. (2018), ‘Meet Panos Cosmatos, Mastermind behind Mandy’, Culture Whisper, 29 October, https://www.culturewhisper.com/r/cinema/mandy_panos_cosmatos_interview_nicolas_cage_film/12539. Accessed 6 December 2022.
  46. Lyons, S. (2018), ‘Narcissism Isn’t What It Used to Be’, Overland Literary Journal, 16 March, https://overland.org.au/2018/03/narcissism-isnt-what-it-used-to-be/. Accessed 29 December 2022.
    [Google Scholar]
  47. Lyons, S. (2021), ‘Unmasking the Übermensch: The Evolution of Nietzsche’s Overman from David Bowie to Westworld’, Interdisciplinary Study of Otherness and Alterity, Otherness: Essays and Studies, 8:1, pp. 12852.
    [Google Scholar]
  48. Marcks, I. (2018), ‘Edge of Darkness’, American Cinematographer: The International Journal of Film & Digital Production Techniques, 99:10, pp. 4653.
    [Google Scholar]
  49. Marx, K. (1990), Capital: A Critique of Political Economy (trans. B. Fowkes), vol. 1, New York: Penguin.
    [Google Scholar]
  50. McEachern, C. (2008), ‘Why Do Cuckolds Have Horns?’, Huntington Library Quarterly, 71:4, pp. 60731, https://doi.org/10.1525/hlq.2008.71.4.607.
    [Google Scholar]
  51. Mosel, S. (2022), ‘History of LSD: Accidental Discovery, Recreational Use to Microdosing Treatment’, American Addiction Centres, Recovery.org, https://recovery.org/lsd-addiction/history/. Accessed 11 December 2022.
    [Google Scholar]
  52. Murchu, O. O. (2018), ‘Cinema: On Mandy, Capitalist Media, and the Working Class’, The Guardian (Sydney): 1850, 1 November, p. 5.
    [Google Scholar]
  53. Nelson, N. J. (2011), ‘Journey Beyond the Black Rainbow with Director Panos Cosmatos’, Turnstyle, 15 November, https://web.archive.org/web/20120428060513/http://turnstylenews.com/2011/11/15/journey-beyond-the-black-rainbow-with-director-panos-cosmatos/. Accessed 4 December 2022.
  54. Newman, N. (2012), ‘[Interview] Beyond the Black Rainbow Director Panos Cosmatos Talks His Sci-Fi Indie, Prometheus, The Shining & More’, Film Stage, 25 June, https://thefilmstage.com/interview-beyond-the-black-rainbow-director-panos-cosmatos-talks-his-sci-fi-indie-prometheus-the-shining-more/. Accessed 4 December 2022.
  55. Nietzsche, F. (1997), Thus Spake Zarathustra, Ware: Wordsworth Editions.
    [Google Scholar]
  56. Nunberg, H. (1942), ‘Ego Strength and Ego Weakness’, American Imago, 3:3C, pp. 2540.
    [Google Scholar]
  57. Nunberg, H. (1950), ‘A Commentary on Freud’s An Outline of Psychoanalysis’, Psychoanalytic Quarterly, 19:2, pp. 22750.
    [Google Scholar]
  58. Nunberg, H. (1954), ‘Evaluation of the Results of Psycho-Analytic Treatment’, International Journal of Psycho-Analysis, 35:1, pp. 27.
    [Google Scholar]
  59. Nunberg, H. (1955), Principles of Psychoanalysis: Their Application to the Neuroses, Madison, CT: International Universities Press.
    [Google Scholar]
  60. Rahman, A. (2018), ‘Mandy Director Panos Cosmatos on Unleashing Nicolas Cage as a “Demigod of Wrath”’, Hollywood Reporter, 12 December, https://www.hollywoodreporter.com/movies/movie-news/panos-cosmatos-interview-mandy-working-nicolas-cage-1168532/. Accessed 6 December 2022.
    [Google Scholar]
  61. Ramaeker, P. (2012), ‘“The Uncensored Cortex”: Psychedelia and American Avant-Garde Film in the 1960s’, Screening the Past, 41:1, https://www.screeningthepast.com/issue-41-first-release/the-uncensored-cortex-psychedelia-and-american-avant-garde-film-in-the-1960s/. Accessed 28 November 2023.
    [Google Scholar]
  62. Reagan, R. ([1983] 2016), ‘Reagan, “Evil Empire”, Speech Text’, Voices of Democracy, https://voicesofdemocracy.umd.edu/reagan-evil-empire-speech-text/. Accessed 10 December 2022.
  63. Sand, J. (2018), ‘My Journey’, Mandy Soundtrack, USA: Lakeshore Records, https://mandysoundtrack.bandcamp.com/track/my-journey. Accessed 23 December 2022.
    [Google Scholar]
  64. Scharfetter, C. (1981), ‘Ego-Psychopathology: The Concept and Its Empirical Evaluation’, Psychological Medicine, 11:2, pp. 27380.
    [Google Scholar]
  65. Scranton, M. E. (1991), The Noriega Years: U.S.-Panamanian Relations, 1981–1990, Boulder: L. Rienner Publishers.
    [Google Scholar]
  66. Shark, Y. (2009), ‘October 15-16, 1965: A Busy Time for Country Joe McDonald’, Berkley in the Sixties, 15 September, http://berkeleyfolk.blogspot.com/2009/09/october-15-16-1965-busy-time-for.html. Accessed 12 December 2022.
    [Google Scholar]
  67. Simpson, D. (2012), ‘Panos Cosmatos (Beyond the Black Rainbow)/Interview’, Smells Like Screen Spirit, 21 June, https://www.scribd.com/document/262405235/Beyond-the-Black-Rainbow. Accessed 14 December 2022.
    [Google Scholar]
  68. Staff, C. (2021), Painting, History and Meaning, Bristol: Intellect.
    [Google Scholar]
  69. Stevens, J. (1988), Storming Heaven: LSD and the American Dream, New York: William Heinemann.
    [Google Scholar]
  70. Stine, A. (2022), ‘The Baptism of Nic Cage in the Bloodbath of Mandy, One of the Actor’s Most Underappeciated Roles’, Salon, 2 May, https://www.salon.com/2022/05/02/nicolas-cage-mandy-underrated/. Accessed 12 January 2023.
  71. Swift, D. (2017), ‘A History of the Cuckold’s Horns’, English Historical Fiction Authors, 15 February, https://englishhistoryauthors.blogspot.com/2017/02/a-history-of-cuckolds-horns.html#:~:text=Further%20to%20the%20right%2C%20cuckold’s,played%20on%20pots%20and%20pans. Accessed 2 January 2023.
  72. ‘The Viewing’ (2022), P. Cosmatos (dir.), Guillermo del Toro’s Cabinet of Curiosities, Series 1, Episode 7 (28 October, USA: Netflix).
    [Google Scholar]
  73. Thomas, L. (2018), ‘Panos Cosmatos Interview: I Originally Rejected Nicolas Cage’, Den of Geek, 17 October, https://www.denofgeek.com/movies/panos-cosmatos-interview-i-originally-rejected-nicolas-cage/. Accessed 6 December 2022.
  74. Tyson, P. and Tyson, R. L. (1984), ‘Narcissism and Superego Development’, Journal of the American Psychoanalytic Association, 32:1, pp. 7598.
    [Google Scholar]
  75. Udo, T. (2012), Charles Manson: Music Mayhem Murder, London: Bobcat Books.
    [Google Scholar]
  76. Valencia, J. (2014), ‘On Panos Cosmatos’ Beyond the Black Rainbow (2010)’, Critical Focus, 24 June, https://thesegirlsonfilm.wordpress.com/2014/06/24/on-panos-cosmatoss-beyond-the-black-rainbow/. Accessed 12 December 2022.
  77. Valero, V. J. P. (2019), ‘Giallo: An Aesthetic Innovation in Cinema’, in M. P. Fabre Martinez and F. Matou (eds), In a Stranger Field: Studies of Art, Audiovisuals and New Technologies in Fantasy, SciFi and Horror Genres, Elche: Association of Development and Dissemination of the Fantastic Gender ‘Black Unicorn’, pp. 31136.
    [Google Scholar]
  78. Veiga, P. (2007), ‘Preliminary Study of an Unusual Graeco-Roman Magical Gem (MNA E540) in the National Museum of Archaeology in Lisbon, Portugal’, in K. Griffin (ed.), Current Research in Egyptology 2007: Proceedings of the Eighth Annual Conference, vol. 8, Oxford: Oxbow Books, p. 141.
    [Google Scholar]
  79. Williamson, I. (2022), ‘Narrative Is Dead! Welcome to the Rise of the Neon Films’, Round Lemon, 3 January, https://www.roundlemon.co.uk/zest-archive/narrative-is-dead-welcome-to-the-rise-of-the-neon-films. Accessed 13 December 2022.
  80. Wirth, J. M. (2001), ‘Animal Desiring: Nietzsche, Bataille, and a World without Image’, Research in Phenomenology, 31:1, pp. 96112.
    [Google Scholar]
  81. Woltmann, S. (2020), ‘“Pointless, Ridiculous Monster”: Monstrous Abjection and Event in The House of Asterion and Grendel’, Preternature, 9:1, pp. 7696.
    [Google Scholar]
  82. Wood, R. (1978), ‘Return of the Repressed’, Film Comment, 14:4, pp. 2532, 80.
    [Google Scholar]
  83. Žižek, S. (1995), Looking Awry: An Introduction to Jacques Lacan throughout Popular Culture, Cambridge, MA: MIT Press.
    [Google Scholar]
  84. Žižek, S. (2008), ‘Masterclass – Embedded in Ideology: “The Case of Cinema”’, Birkbeck critical lecture series, Birkbeck University, London, 18 February.
    [Google Scholar]
  85. Zweig, S. (2013), Nietzsche (trans. W. Stone), London: Hesperus Press.
    [Google Scholar]
/content/journals/10.1386/fint_00206_1
Loading
/content/journals/10.1386/fint_00206_1
Loading

Data & Media loading...

This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error