Ethical Reconstruction

References

1. Dai, Jinhua, Sun, Bo, Yang, Yeying and An, Shuang (2019), ‘The Cultural Revolution, the Invention of Women and Chinese Cinema: Dai Jinhua on “May Fourth and Cinema”’, Film Art, 52:3, pp. 15–20.
   [Google Scholar]
2. Gong, Haomin (2009), ‘Commerce and the Critical Edge: Negotiating the Politics of Postsocialist film, the Case of Feng Xiaogang’, Journal of Chinese Cinemas, 3:3, pp. 193–214.
   [Google Scholar]
3. Li, Meng (2019), ‘On the Urban Imagination of Harbin in the Film Black Coal, Thin Ice’, Contemporary Film, 36:4, pp. 148–51.
   [Google Scholar]
4. Lucia, Cynthia (2017), ‘Death of Desire’, New Review of Film and Television Studies, 15:4, pp. 446–50.
   [Google Scholar]
5. Lv, Jing-Hua (2015), ‘The Art of Character Shaping in the Film Black Coal, Thin Ice’, Film Review, 37:13, pp. 16–18.
   [Google Scholar]
6. Rey, Chow (1991), ‘Male Narcissism and National Culture: Subjectivity in Chen Kaige’s King of the Children’, Camera Obscura: Feminism, Culture, and Media Studies, 9:1–2, pp. 8–40.
   [Google Scholar]
7. Wang, Xiaolu (2019), ‘The Generation of Film Meaning: From So Long, My Son to The Shadow Play’, Journal of Beijing Film Academy, 36:5, pp. 12–18.
   [Google Scholar]
8. Zhang, Xin (2021), ‘Dialect and Urban Landscape: A Study of Multiple Ideational Spaces in Diao Yinan’s Film’, Film Review, 43:1, pp. 65–67.
   [Google Scholar]
9. Zhang, Yajun and Hu, Limin (2010), ‘The Sentencing and Enforcement Approaches of Female Victims of Domestic Violence’, Hebei Journal, 30:2, pp. 173–76.
   [Google Scholar]