“Hearing” War Crimes: Affective Evocation of Violence and Political Engagement through Sound Editing in Jean-Luc Godard’s Masculin Féminin (1965) and Michael Haneke’s Caché (2005) | Intellect

1981

Volume 4, Issue 1

ISSN: 2042-1869
E-ISSN: 2042-1877

“Hearing” War Crimes: Affective Evocation of Violence and Political Engagement through Sound Editing in Jean-Luc Godard’s Masculin Féminin (1965) and Michael Haneke’s Caché (2005)
By Kevin Hatch¹
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Source: Film Matters, Volume 4, Issue 1, Mar 2013, p. 9 - 14
DOI: https://doi.org/10.1386/fm.4.1.9_1
Language: English
- Published online: 01 Mar 2013

Abstract

ABSTRACT

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2013-03-01

2023-06-09

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http://instance.metastore.ingenta.com/content/journals/10.1386/fm.4.1.9_1

Article Type: Article

Keyword(s): affect; Brecht; Displeasure; sociopolitical engagement; sound; violence

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