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“Hearing” War Crimes: Affective Evocation of Violence and Political Engagement through Sound Editing in Jean-Luc Godard’s Masculin Féminin (1965) and Michael Haneke’s Caché (2005)
- Source: Film Matters, Volume 4, Issue 1, Mar 2013, p. 9 - 14
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- 01 Mar 2013
Abstract
ABSTRACT
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