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The Walt Disney Company is immensely influential around the globe, but in the near future, the world’s largest film market will reside in China rather than the United States. It is thus important to examine how Disney’s 1998 Mulan and its 2020 remake contribute to the advancement and oppression of Chinese/Americans within Hollywood. This paper will compare both films by analyzing each film’s casts and crews, reception in the global film market, critical responses, treatment of racial and gender identity within each narrative, and the sociohistorical contexts in which the films were produced.
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Publication Date:
https://doi.org/10.1386/fm_00179_1 Published content will be available immediately after check-out or when it is released in case of a pre-order. Please make sure to be logged in to see all available purchase options.