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1981
Volume 15, Issue 1
  • ISSN: 2042-1869
  • E-ISSN: 2042-1877

Abstract

This article aims to reinstall the understated significance of female Agnès Varda in French New Wave cinema. By analyzing distinctions in cinematography and characterization between Varda’s film (1962) and Jean-Luc Godard’s from the same period, I argue that advanced a vision of female subjectivity that controverted the construction of silenced female characters in Godard’s films. With her feminist pen of , or “film-writing,” Varda challenged the prevalent androcentrism in the New Wave and pioneered second wave feminism in France.

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2024-07-30
2026-04-19

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References

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