Parasite: The Microcosm of Power Chasm Under the Hypercapitalism Paradigm

References

1. Balhorn, Max. “Parasite: A Window into South Korean Neoliberalism.” The Wire, 2019, https://thewire.in/film/parasite-a-window-into-south-korean-neoliberalism. Accessed 10 Oct. 2022.
   [Google Scholar]
2. Bong Joon-Ho. “Extended Interview on Parasite.” YouTube, uploaded by Alamo Drafthouse, 30 April 2020, https://www.youtube.com/watch?v=Sr9PC7yKDeY. Accessed 13 Nov. 2022.
   [Google Scholar]
3. Bong, Joon-Ho, director. Parasite. Performances by Song Kang-Ho, Lee Sun-Kyun and Cho Yeo-Jeong, Barunson E&A, 2019, https://www.kanopy.com/en/concordiaca/product/11313417. Accessed 8 Oct. 2022.
4. Butsch, Richard. “Why Television Keeps Re-creating the Male Working-class Buffoon.” Gender, Race, and Class in Media: A Critical Reader, edited by Gail Dines and Jean Humez, SAGE Publications, 2012, pp. 101–09.
   [Google Scholar]
5. DeBord, Guy. The Society of the Spectacle. Zone Books, 1995.
   [Google Scholar]
6. DiMaggio, Paul. “Cultural Capital.” Encyclopedia of Social Theory, edited by George Ritzer. SAGE Publications, 2005, pp. 168–70.
   [Google Scholar]
7. Grazian, David. “Neoliberalism and the Realities of Reality Television.” Contexts, vol. 9, no. 2, 2010, pp. 68–71, https://doi-org.lib-ezproxy.concordia.ca/10.1525/ctx.2010.9.2.68.
   [Google Scholar]
8. Harvey, David. A Brief History of Neoliberalism. Oxford University Press, 2005.
   [Google Scholar]
9. Jeong, Kelly Y. “Gender and Class in Parasite.” The Soft Power of the Korean Wave: Parasite, BTS, and Drama, edited by Youna Kim, Routledge, 2021, pp. 79–89, https://doi.org/10.4324/9781003102489.
   [Google Scholar]
10. Kim, Dong H. “Producers of Parasite and the Question of Film Authorship: Producing a Global Author, Authoring a Global Production.” The Soft Power of the Korean Wave: Parasite, BTS and Drama, edited by Youna Kim, Routledge, 2021, pp. 41–53, https://doi.org/10.4324/9781003102489.
    [Google Scholar]
11. Kim, Samuel S. “United States Korean Policy and World Order.” Alternatives, vol. 6, no. 3, 1980, pp. 419–52, https://doi.org/10.1177/030437548000600303.
    [Google Scholar]
12. Kim, So Y. “Majority of S. Koreans Are Pessimistic About Future of Their Country.” The Hankyoreh, 6 Oct. 2019, https://www.hani.co.kr/arti/english_edition/e_national/912155.html. Accessed 6 Nov. 2022.
    [Google Scholar]
13. Kim, Youngmi. “Hell Joseon: Polarization and Social Contention in a Neo-Liberal Age.” Korea’s Quest for Economic Democratization: Globalization, Polarization and Contention, edited by Youngmi Kim, Palgrave Macmillan, 2018, pp. 1–20, https://doi.org/10.1007/978-3-319-57066-2.
    [Google Scholar]
14. Koo, Hagen. “Rising Inequality and Shifting Class Boundaries in South Korea in the Neo-Liberal Era.” Journal of Contemporary Asia, vol. 51, no. 1, 2021, pp. 1–19, https://doi.org/10.1080/00472336.2019.1663242.
    [Google Scholar]
15. Laywine, Nathaniel. “Genre, Social Class Categorization and Popular Culture.” COMS 310: Media Criticism, 23 Sept. 2022, Concordia University, Montreal.
    [Google Scholar]
16. Lee, Nam. The Films of Bong Joon Ho. Rutgers University Press, 2021, https://doi.org/10.36019/9781978818941.
    [Google Scholar]
17. Legras, Colson. “Class, Colonialism, and Gender in Parasite.” Difference, Power, and Discrimination in Film and Media, 2022, https://openoregon.pressbooks.pub/dpdfilm/chapter/parasite-2019/. Accessed 9 Oct. 2022.
    [Google Scholar]
18. Neale, Steve. Genre and Contemporary Hollywood. British Film Institute, 2002.
    [Google Scholar]
19. Noh, Minjung. “Parasite as Parable: Bong Joon-Ho’s Cinematic Capitalism.” CrossCurrents vol. 70, no. 3, 2020, pp. 248–62, https://www.jstor.org/stable/26975087. Accessed 20 Oct. 2022.
    [Google Scholar]
20. Ridgeway-Diaz, Julia, Thanh T. Truong, and Glen O. Gabbard. “Return of the Repressed: Bong Joon-Ho’s Parasite.” Academic Psychiatry: The Journal of the American Association of Directors of Psychiatric Residency Training and the Association for Academic Psychiatry, vol. 44, no. 6, 2020, pp. 792–94, https://doi.org/10.1007/s40596-020-01309-7.
    [Google Scholar]
21. “South Korea Country Commercial Guide.” International Trade Administration, 2021, https://www.trade.gov/country-commercial-guides/south-korea-entertainment-and-media. Accessed 12 Nov. 2022.
    [Google Scholar]
22. Vujnovic, Marina. “Hypercapitalism.” Wiley-Blackwell Encyclopedia of Globalization. Wiley-Blackwell, 2017, https://onlinelibrary.wiley.com/doi/10.1002/9780470670590.wbeog278.pub2. Accessed 6 Nov. 2022.
    [Google Scholar]