Visual Essayists in a Contemporary Climate and a Digital Future

References

1. Adorno, Theodor. “The Essay as Form.” Notes to Literature, edited by Rolf Tiedemann, translated by Shierry Weber Nicholsen, vol. 1, Columbia University Press, 1991, pp. 3–23.
   [Google Scholar]
2. Alter, Nora. “The Political Im/perceptible in the Essay Film.” New German Critique, no. 68, Special Issue on Literature, 1996, pp. 165–92, https://doi.org/10.2307/3108669.
   [Google Scholar]
3. Arthur, Paul. “Essay Questions: From Alain Resnais to Michael Moore.” Film Comment, Jan. 2003, pp. 58–62.
   [Google Scholar]
4. Astruc, Alexandre. “The Birth of a New Avant-Garde: La Caméra-Stylo.” L’Ecran Français, 1948. Translation from The French New Wave, edited by Ginette Vincendeau and Peter Graham, https://www.newwavefilm.com/about/camera-stylo-astruc.shtml. Accessed 14 Aug. 2023.
   [Google Scholar]
5. Bazin, André. “Bazin on Marker.” Film Comment, vol. 39, no. 4, 2003, pp. 44–45.
   [Google Scholar]
6. Beugnet, Martine. “An Aesthetics of Exhaustion? Digital Found Footage and Hollywood.” Screen, vol. 58, no. 2, 2017, pp. 218–28, https://doi.org/10.1093/screen/hjx022.
   [Google Scholar]
7. Corrigan, Timothy. Film and Literature: An Introduction and Reader. Routledge, 1999.
   [Google Scholar]
8. Elsaesser, Thomas. “The Hollywood Turn: Persistence, Reflexivity, Feedback.” Screen, vol. 58, no. 2, 2017, pp. 237–47, https://doi.org/10.1093/screen/hjx018.
   [Google Scholar]
9. Flight, Thomas. “Why Do Wes Anderson Movies Look Like That.” YouTube, 2020, https://www.youtu.be/ba3c9KEuQ4A?si=FpQiatajNV_N4pwC Accessed 24 Aug. 2023.
10. Giannetti, Louis D. Godard and Others: Essays on Film Form. Fairleigh Dickinson University Press, 1974.
    [Google Scholar]
11. Good, Graham. The Observing Self: Rediscovering the Essay. Routledge, 1988.
    [Google Scholar]
12. Grant, Catherine. “Auteur Machines? Auteurism and the DVD.” Film and Television After DVD, edited by James Bennett and Tom Brown, Routledge, 2008, pp. 101–15, https://doi.org/10.4324/9780203894293.
    [Google Scholar]
13. Grant, Catherine. “The Shudder of a Cinephiliac Idea? Videographic Film Studies Practice as Material Thinking.” Aniki: Revista Portuguesa da Imagem em Movimento, 2014, pp. 49–62.
    [Google Scholar]
14. Huxley, Aldous. Collected Essays. Bantam Books, 1960.
    [Google Scholar]
15. Jacobs, Ken. “Perfect Film.” YouTube, 1986, https://www.youtube.com/watch?v=nQ_qJoqvzA4&t. Accessed 5 Jan. 2023.
16. Kuleshov, Lev. “Art of the Cinema.” Kuleshov on Film, translated and edited by Ronald Levaco, University of California Press, 1992, pp. 51–55.
    [Google Scholar]
17. Lavik, Erland. “The Video Essay: The Future of Academic Film and Television Criticism?” Frames Cinema Journal, 2 July 2012, https://framescinemajournal.com/article/the-video-essay-the-future/. Accessed 14 Aug. 2023.
    [Google Scholar]
18. Lopate, Phillip. “In Search of the Centaur.” Totally, Tenderly, Tragically, Knopf Doubleday Publishing Group, 1998, pp. 280–311.
    [Google Scholar]
19. Lukács, Georg. “On the Nature and Form of the Essay.” Soul and Form, MIT Press, 1974, pp. 16–34.
    [Google Scholar]
20. Lunenfeld, Peter. “The Myths of Interactive Cinema.” The New Media Book, edited by Dan Harries, BFI Publishing, 2002, pp. 377–90.
    [Google Scholar]
21. Montaigne, Michel. The Complete Essays of Montaigne. Book I, translated by Charles Cotton, edited by William Carew Hazlitt, Project Gutenberg, 2001 [1877].
    [Google Scholar]
22. Mulvey, Laura. Death 24x a Second: Stillness and the Moving Image. Reaction Books, 2006.
    [Google Scholar]
23. Prévieux, Julien. “Post-post-production.” 2004, https://www.previeux.net/fr/videos-postpostprod.html. Accessed 24 Aug. 2023.
24. Rascaroli, Laura. “The Essay Film: Problems, Definitions, Textual Commitments.” Framework: The Journal of Cinema and Media, vol. 49, no. 2, 2008, pp. 24–47.
    [Google Scholar]
25. Rees, Al. “Expanded Cinema and Narrative: A Troubled History.” Expanded Cinema: Art, Performance, Film, Tate Publishing, 2011, p. 20.
    [Google Scholar]
26. Renov, Michael. The Subject of the Documentary. University of Minnesota Press, 2004.
    [Google Scholar]
27. Shanspeare. “The Era of the Critic: Why Are Video Essays So Popular (and Hated)?” YouTube, 2022, https://www.youtu.be/90r-UXrKrnw?si=5n3pJwzQ7mYme7QP. Accessed 25 Aug. 2023.
28. Welles, Orson. F for Fake. 1973.