Classic design: From cultural knowledge to individual experience

References

1. Aakko, Maarit, and Koskennurmi-Sivonen, Ritva. ( 2013;), ‘ Designing sustainable fashion: Possibilities and change. ’, Research Journal of Textiles and Apparel, 17:1, pp. 13–22.
   [Google Scholar]
2. Aspers, Patrik, and Godart, Frederic. ( 2013;), ‘ Sociology of fashion: Order and change. ’, Annual Review of Sociology, 39:1, pp. 171–92.
   [Google Scholar]
3. Assouly, Olivier,, Brand, Jan, and Teunissen, Jose. ( 2013), A Fashion Odyssey: Progress in Fashion and Sustainability, Arnhem:: ArtEZ Press;.
   [Google Scholar]
4. Banim, Maura,, Green, Eileen, and Guy, Ali. ( 2001;), ‘ Introduction. ’, in A. Guy,, E. Green, and M. Banim. (eds), Through the Wardrobe: Women’s Relationships with Their Clothes, Oxford and New York:: Berg;, pp. 1–17.
   [Google Scholar]
5. Beard, Nathaniel. ( 2008;), ‘ The branding of ethical fashion and the consumer: A luxury niche or mass-market reality?. ’, Fashion Theory: The Journal of Dress, Body & Culture, 12:4, pp. 447–68.
   [Google Scholar]
6. Bianchi, Marina. ( 2002;), ‘ Novelty, preferences, and fashion: When goods are unsettling. ’, Journal of Economic Behavior and Organization, 47:2002, pp. 1–18.
   [Google Scholar]
7. Black, Sandy. ( 2012), The Sustainable Fashion Handbook, London:: Thames & Hudson;.
   [Google Scholar]
8. Bloomberg, Linda, and Volpe, Marie. ( 2008), Completing Your Qualitative Dissertation, Thousand Oaks, CA:: Sage Publications;.
   [Google Scholar]
9. Casto, Mary Alice, and DeLong, Marilyn. ( 2019;), ‘ Exploring esthetic response to classic as a means to slow fashion. ’, Fashion Practice, 11:1, pp. 105–31.
   [Google Scholar]
10. Clark, Hazel. ( 2008;), ‘ SLOW + FASHION – an oxymoron – or a promise for the future …?. ’, Fashion Theory: The Journal of Dress, Body & Culture, 1:4, pp. 427–46.
    [Google Scholar]
11. ‘Classic’ ( 1985), American Heritage Dictionary, , 2nd ed.., Boston, MA:: Houghton, Mifflin, & Company;.
    [Google Scholar]
12. DeLong, Marilyn. ( 1998), The Way We Look: Dress and Aesthetics, , 2nd ed.., New York:: Fairchild;.
    [Google Scholar]
13. Esposito, Elena. ( 2011;), ‘ Originality through imitation: The rationality of fashion. ’, Organization Studies, 32:5, pp. 603–13.
    [Google Scholar]
14. Featherstone, Mike. ( 1992;), ‘ Postmodernism and the aestheticization of everyday life. ’, in S. Lash, and J. Friedman. (eds), Modernity and Identity, Oxford and Cambridge, MA:: Blackwell;, pp. 265–90.
    [Google Scholar]
15. Fletcher, Kate. ( 2007;), ‘ Clothes that connect. ’, in J. Chapman, and N. Grant. (eds), Designers, Visionaries and Other Stories: A Collection of Sustainable Design Essays, London:: Earthscan;, pp. 119–32.
    [Google Scholar]
16. Fletcher, Kate. ( 2008), Sustainable Fashion and Textiles: Design Journeys, London:: Earthscan;.
    [Google Scholar]
17. Fletcher, Kate, and Grose, Lynda. ( 2012), Fashion & Sustainability: Design for Change, London:: Laurence King Publishers;.
    [Google Scholar]
18. Fuad-Luke, Alastair. ( 2009), Design Activism: Beautiful Strangeness for a Sustainable World, London:: Earthscan;.
    [Google Scholar]
19. Hethorn, Janet, and Ulasewicz, Connie. ( 2008), Sustainable Fashion: Why Now?, New York:: Fairchild Books;.
    [Google Scholar]
20. Geertz, Clifford. ( 1973), The Interpretation of Cultures, New York:: Basic Books, Inc;.
    [Google Scholar]
21. Gronow, Jukka. ( 2009;), ‘ Fads, fashions, and real innovations. ’, in E. Shove,, F. Trentmann, and R. Wilk. (eds), Time, Consumption and Everyday Life: Practice, Materiality and Culture, Oxford and New York:: Berg;, pp. 129–42.
    [Google Scholar]
22. Kawamura, Yuniya. ( 2005), Fashion-ology: An Introduction to Fashion Studies, Oxford and New York:: Berg;.
    [Google Scholar]
23. Klepp, Ingun Grimstad, and Bjerck, Mari. ( 2014;), ‘ A methodological approach to the materiality of clothing: Wardrobe studies. ’, International Journal of Social Research Methodology, 17:4, pp. 373–86.
    [Google Scholar]
24. Lichtman, Marilyn. ( 2006), Qualitative Research in Education, Thousand Oaks, CA:: Sage Publications;.
    [Google Scholar]
25. Loschek, Ingrid. ( 2009), When Clothes Become Fashion: Design and Innovation Systems, Oxford and New York:: Berg;.
    [Google Scholar]
26. Lynch, Annette, and Strauss, Mitchell. ( 2007), Changing Fashion: A Critical Introduction to Trend Analysis and Meaning, Oxford and New York:: Berg;.
    [Google Scholar]
27. Manzini, Ezio. ( 2006), Design for Sustainability: How to Design Sustainable Solutions, Milan:: Politecnico di Milano;.
    [Google Scholar]
28. McCracken, Grant. ( 1988), Culture and Consumption: New Approaches to the Symbolic Character of Consumer Goods and Activities, Bloomington and Indianapolis, IN:: Indiana University Press;.
    [Google Scholar]
29. McIntyre, Magdalena Petersson. ( 2019;), ‘ Shame, blame, and passion: Affects of (un)sustainable wardrobes. ’, Fashion Theory, DOI: 10.1080/1362704X.2019.1676506.
    [Google Scholar]
30. McJimsey, Harriet. ( 1963), Art in Clothing Selection, New York:: Harper & Row;.
    [Google Scholar]
31. Minney, Safia. ( 2011), Naked Fashion: The New Sustainable Fashion Revolution, Oxford:: New Internationalist;.
    [Google Scholar]
32. Niinimäki, Kirsi. ( 2010;), ‘ Eco-clothing, consumer identity and ideology. ’, Sustainable Development, 18:3, pp. 150–62.
    [Google Scholar]
33. Niinimäki, Kirsi. ( 2014;), ‘ Sustainable consumer satisfaction in the context of clothing. ’, in C. Vezzoli,, C. Kohtala,, A. Srinivasan,, J. Diehl,, S. Fusakul,, L. Xin, and D. Sateesh. (eds), Product-Service System Design for Sustainability, Sheffield:: Greenleaf;, pp. 218–37.
    [Google Scholar]
34. Niinimäki, Kirsi. ( 2017;), ‘ Fashion in a circular economy. ’, in C. Henninger,, P. Alevizou,, H. Goworek, and D. Ryding. (eds), Sustainability in Fashion: A Cradle to Upcycle Approach, Cham:: Springer International Publishing;, pp. 151–69.
    [Google Scholar]
35. Nystrom, Paul. ( 1928), Economics of Fashion, New York:: Ronald Press Company;.
    [Google Scholar]
36. O’Cass, Aron. ( 2001;), ‘ Consumer self-monitoring, materialism and involvement in fashion clothing. ’, Australasian Marketing Journal, 9:1, pp. 46–60.
    [Google Scholar]
37. Postrel, Virginia. ( 2003), The Substance of Style, New York:: Harper Collins;.
    [Google Scholar]
38. Rogers, Everett M.. ( 1995), Diffusion of Innovations, , 4th ed.., New York:: The Free Press;.
    [Google Scholar]
39. Schor, Juliet, and Taylor, Betsy. ( 2002), Sustainable Planet: Solutions for the Twenty-First Century, Boston, MA:: Beacon Press;.
    [Google Scholar]
40. Shedroff, Nathan. ( 2009), Design Is the Problem: The Future of Design Must Be Sustainable, Brooklyn, NY:: Rosenfeld Media;.
    [Google Scholar]
41. Skjold, Elise. ( 2017;), ‘ Adorned in dreams: Reversing the gaze: From the look of fashion to the lens of the wardrobe. ’, Clothing Cultures, 4:1, pp. 13–28.
    [Google Scholar]
42. Smith, Nancy. ( 2003), The Classic Ten: The True Story of the Little Black Dress and Nine Other Fashion Favorites, New York:: Penguin Books;.
    [Google Scholar]
43. Steele, Valerie. ( 2019;), ‘ Fashion futures. ’, in A. Geczy, and V. Karaminas. (eds), The End of Fashion, London:: Bloomsbury Visual Arts;, pp. 5–18.
    [Google Scholar]
44. United Nations World Commission on Environment and Development ( 1987), Our Common Future (The Brundtland Report), Oxford:: Oxford University Press;.
    [Google Scholar]
45. Watson, Maegan, and Yan, Ruoh-nan. ( 2013;), ‘ An exploratory study of the decision processes of fast versus slow fashion consumers. ’, Journal of Fashion Marketing and Management, 17:2, pp. 141–59.
    [Google Scholar]
46. Woodward, Ian. ( 2007), Understanding Material Culture, Los Angeles, CA:: Sage Publications;.
    [Google Scholar]
47. Alice Casto, Mary, and DeLong, Marilyn. ( 2020;), ‘ Classic design: From cultural knowledge to individual experience. ’, Fashion, Style & Popular Culture, 7:4, pp. 501–518, doi: https://doi.org/10.1386/fspc_00025_1
    [Google Scholar]