Carnival to Catwalk: Global Reflections on Fancy Dress Costume, Benjamin Linley Wild (2020)

References

1. Boroff, K.. ( 2019;), ‘ Haitian Carnival: The art of resistance. ’, 21st Annual Africana Studies Student Research Conference and Luncheon, Bowling Green State University, 8 February, Africana Studies Program;.
   [Google Scholar]
2. Castro, R.. ( 1972;), ‘ El diversionismo ideológico: Arma sutil que esgrimen los enemigos contra la revolución. ’, Verde Olivo, 14:30, pp. 4–12.
   [Google Scholar]
3. Craik, J.. ( 2003), The Face of Fashion: Cultural Studies in Fashion, London and New York:: Routledge;.
   [Google Scholar]
4. Guevara, C.. ( 1967), Man and Socialism in Cuba (trans. M. Zimmermann.), Havana:: Guairas Book Institute;, pp. 758–70.
   [Google Scholar]
5. Kaiser, S. B.. ( 2012), Fashion and Cultural Studies, Oxford:: Berg;.
   [Google Scholar]
6. Knauer, L. M.. ( 2011;), ‘ Consuming slavery, performing Cuba: Ethnography, carnival and black public culture. ’, Ethnicity and Race in a Changing World, 2:2, pp. 3–25.
   [Google Scholar]
7. Miller, D.. ( 2020), Modernity: An Ethnographic Approach: Dualism and Mass Consumption in Trinidad, Oxford:: Routledge;.
   [Google Scholar]
8. Riggio, M. C.. ( 1998;), ‘ Resistance and identity: Carnival in Trinidad and Tobago. ’, The Drama Review, 42:3, pp. 7–23.
   [Google Scholar]
9. Sylvester, M. A.. ( 2019;), ‘ Narratives of resistance in Trinidad’s Calypso and Soca Music. ’, Cultural and Pedagogical Inquiry, 11:3, pp. 105–16.
   [Google Scholar]