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image of The Intersection of Fashion and Disability: A Historical Analysis, Kate Annett-Hitchcock (2023)

Abstract

Review of: , Kate Annett-Hitchcock (2023)

London: Bloomsbury, 227 pp.,

ISBN 978-1-35014-311-1, p/bk, $26.95

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/content/journals/10.1386/fspc_00321_5
2025-04-17
2026-04-19

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References

  1. Aragón, A. F. (2014), ‘Uninhabited dresses: Frida Kahlo, from icon of Mexico to fashion muse’, Fashion Theory, 18:5, pp. 51749, https://doi.org/10.2752/175174114x14042383562065.
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  2. Labrum, B. (2012), ‘“Always distinguishable from outsiders”: Materialising cultures of clothing from psychiatric institutions’, in C. Coleborne and D. MacKinnon (eds), Exhibiting Madness in Museums, New York: Routledge, pp. 7593.
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  3. Woolley, D. (2023), ‘For a dress history of sitting: Introduction’, in D. Woolley, E. Sampson, F. Johnstone and P. Chambers (eds), Wearable Objects and Curative Things: Materialist Approaches to the Intersections of Fashion, Art, Health and Medicine, Cham: Palgrave Macmillan, pp. 73100.
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  4. Wright, N. E. (2022), ‘“Functional fashions for the physically handicapped”: Disability and dress in postwar America’, Dress, 48:2, pp. 14362, https://doi.org/10.1080/03612112.2022.2090724.
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