Representing Islam: Hip-Hop of the September 11 Generation, Kamaludeen Mohamed Nasir (2020)

Jeanette S. Jouili

doi:10.1386/ghhs_00023_5

ISSN: 2632-6825
E-ISSN: 2632-6833

oa Representing Islam: Hip-Hop of the September 11 Generation, Kamaludeen Mohamed Nasir (2020)
By Jeanette S. Jouili¹
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Affiliations: ¹ ISNI: 0000000121891568 Syracuse University
Source: Global Hip Hop Studies, Volume 1, Issue 2, Aug 2020, p. 313 - 317
DOI: https://doi.org/10.1386/ghhs_00023_5
Language: English
- Published online: 16 Jan 2023

Abstract

Review of: Representing Islam: Hip-Hop of the September 11 Generation, Kamaludeen Mohamed Nasir (2020)

Bloomington, IN: Indiana University Press, 222 pp.,

ISBN 978-0-25305-304-6, p/bk, GBP £23.32

This article is Open Access under the terms of the Creative Commons Attribution-NonCommercial 4.0 International licence (CC BY-NC), which allows users to copy, distribute, transmit and adapt the article, as long as the author is attributed and the article is not used for commercial purposes. To view a copy of the licence, visit https://creativecommons.org/licenses/by-nc/4.0/

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References

Abdul Khabeer, Su’ad. ( 2016), Muslim Cool: Race, Religion, and Hip-Hop in the United States, New York:: New York University Press;.
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Barone, Stefano. ( 2019;), ‘ Feeling so hood: Rap, lifestyles and the neighbourhood imaginary in Tunisia. ’, British Journal of Middle Eastern Studies, 46:1, pp. 88–103.
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Bourdieu, Pierre. ( 1984), Distinction: A Social Critique of the Judgement of Taste, London:: Routledge;.
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Article Type: Other review

oa Representing Islam: Hip-Hop of the September 11 Generation, Kamaludeen Mohamed Nasir (2020)

Abstract

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