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1981
Volume 15, Issue 1
  • ISSN: 2040-3275
  • E-ISSN: 2040-3283

Abstract

While the term ‘psychedelic horror film’ may seem simple on its surface, the category it describes has never been thoroughly examined and defined. This article, using Harry M. Benshoff’s ‘The short-lived life of the Hollywood LSD film’, as an entry point, will analyse recurrent examples of psychedelic horror film, focusing on the nature of their recurring appeal. Given the lack of scholarship on this category, this analysis aims to begin filling in a notable gap in the history of the horror film. I also hope to provide insight into the histories of countercultural and conspiratorial movements past and present, using these films as a sociohistorical bellwether for the national mood. While many of the films in this category may appear reactionary, even their most genuinely conservative, paranoiac iterations also seem to function as a form of anti-establishment lament for the failure of countercultural movements to effectively cause social change.

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2024-04-19
2024-09-09
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