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and David Scott Diffrient1
Midnight Mass, Mike Flanagan’s horror miniseries, engages with profound spiritual and philosophical questions about existence, deploying an unconventional approach of extended personal testimonies and interpersonal dialogues. The show harkens back to television’s roots by featuring lengthy, sermon-like speeches that challenge hegemonic power structures and normative ideologies. Key characters like Erin, Hassan and Riley deliver rhetorical disruptions through extended monologues that vocally resist religious and societal oppression. By centring stories from marginalized communities often relegated to the periphery of popular culture, Midnight Mass taps into horror’s ability to re-conceptualize ‘monstrous’ identities. It positions audiences to empathize with the oppressed, encouraging them to defy dominant ideological norms. The series’ talky, homiletic style enables a deconstruction of Catholic dogma and socially ingrained prejudices.
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https://doi.org/10.1386/host_00085_1 Published content will be available immediately after check-out or when it is released in case of a pre-order. Please make sure to be logged in to see all available purchase options.