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Volume 16, Issue 2
  • ISSN: 2040-3275
  • E-ISSN: 2040-3283

Abstract

This article explores (2024) as an ecohorror film that reconfigures the shark horror genre through satirical critique and intertextual engagement with (1975). Set against the Paris 2024 Olympics and featuring a preternaturally oversized Mako shark, the film juxtaposes nationalist spectacle with ecological collapse, foregrounding human complicity in environmental destruction. Drawing on theories of the Anthropocene and posthumanism, it examines how subverts the ‘killer shark’ trope to interrogate capitalist, political and media-driven narratives. In doing so, the film illustrates how genre can expose the violence underpinning capitalist and environmental exploitation.

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/content/journals/10.1386/host_00100_1
2025-10-31
2026-04-21

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/content/journals/10.1386/host_00100_1
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  • Article Type: Article
Keyword(s): ecohorror; environmentalism; film; Jaws; Olympics 2024; politics; river
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