Volume 1, Issue 1

Abstract

This article examines the concept of community music (CM) from a variety of perspectives and in relation to a wide array of living examples of CM around the world. The author does not seek a definition of CM; she is not aiming for closure. The point of her essay is to emphasize the inherent diversity of CM programmes, their situated natures and the fluidity of this global phenomenon.

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/content/journals/10.1386/ijcm.1.1.5_1
2007-08-24
2024-03-29
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http://instance.metastore.ingenta.com/content/journals/10.1386/ijcm.1.1.5_1
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Keyword(s): Community; cross-cultural comparisons; music; typologies

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