Skip to content
1981
  1. Home
  2. A-Z Publications
  3. International Journal of Community Music
  4. Volume 15, Issue 2
  5. Article
Volume 15, Issue 2
  • ISSN: 1752-6299
  • E-ISSN: 1752-6302

Abstract

1:1 CONCERTS is a performance initiative where a listener and a musician share a ten-minute, non-verbal musical encounter in a non-traditional performance space. The authors conducted a survey and focus groups with musicians, listeners and ‘hosts’ (facilitators) of 1:1 CONCERTS in Australia, seeking perspectives on their experiences of the Concerts during the COVID-19 pandemic. David Camlin’s three dimensions of music – aesthetic/presentational, praxial/participatory and social – served as a framework for data analysis. The intimate locational and musical aspects of the encounter generated feelings of connection, privilege and pleasure for many participants; for some, COVID-19 lockdowns, social distancing and live-arts deprivation heightened those feelings. We argue that while 1:1 CONCERTS retain presentational features typical of western classical music concerts, the model emphasizes the praxial and social dimensions of music-making, prioritizing process as well as product in ways relevant for music and music-making as a social resource, well beyond the pandemic.

© 2022 Intellect Ltd
Loading

Article metrics loading...

/content/journals/10.1386/ijcm_00059_1
2022-07-01
2024-09-10
Loading full text...

Full text loading...

References

  1. Alte Oper Frankfurt ( 2019;), ‘ A different way of hearing: The Abramovic method for music. ’, Alte Oper Frankfurt, March, https://www.alteoper.de/pdf/de/programm/aof_anders-hoeren_EN.pdf?m=1520511709. Accessed 25 June 2021.
     [Google Scholar]
  2. Australian Government Department of Health ( 2021;), ‘ Coronavirus (COVID-19) case numbers and statistics. ’, Australian Government Department of Health, 25 June, https://www.health.gov.au/news/health-alerts/novel-coronavirus-2019-ncov-health-alert/coronavirus-covid-19-case-numbers-and-statistics. Accessed 25 June 2021.
     [Google Scholar]
  3. Bala, Sruti. ( 2012;), ‘ Vectors of participation in contemporary theatre and performance. ’, Theatre Research International, 37:3, pp. 236–48.
     [Google Scholar]
  4. Bartleet, Brydie-Leigh, and Higgins, Lee. (eds) ( 2018;), ‘ Introduction: An overview of community music in the twenty-first century. ’, in The Oxford Handbook of Community Music, Oxford:: Oxford University Press;, pp. 1–20, https://doi.org/10.1093/oxfordhb/9780190219505.013.20. Accessed 25 June 2021.
     [Google Scholar]
  5. Bartleet, Brydie-Leigh, and Pairon, Lukas. (eds) ( 2021), Musicae Scientiae, Special Issue: ‘The Social Impact of Music Making’. , 25:3, pp. 271–373.
     [Google Scholar]
  6. Brunt, Shelley, and Nelligan, Kat. ( 2020;), ‘ The Australian music industry’s mental health crisis: Media narratives during the coronavirus pandemic. ’, Media International Australia, 178:1, pp. 42–46, https://doi.org/10.1177/1329878x20948957. Accessed 1 July 2021.
     [Google Scholar]
  7. Camlin, David A.. ( 2014;), ‘ Whose quality is it anyway? Inhabiting the creative tension between presentational and participatory music. ’, Journal of Arts and Communities, 6:2&3, pp. 99–118.
     [Google Scholar]
  8. Camlin, David A.. ( 2016;), ‘ Whatever you say I am, that’s what I’m not: Developing dialogic and dissensual ways of conceiving of and talking about community music. ’, in M. L. Cohen. (ed), Innovation and Change in Community Music: Proceedings of the XV International Seminar of the ISME Commission on Community Music Activity, Edinburgh, Scotland, 19–26 July, Malvern, Victoria:: International Society for Music Education;, pp. 24–30, https://www.isme.org/sites/default/files/documents/2016_Proceedings%20Commission%20on%20CMA_FinalB.pdf. Accessed 1 July 2021.
     [Google Scholar]
  9. Crosby, Paul, and McKenzie, Jordi. ( 2021;), ‘ Survey evidence on the impact of COVID-19 on Australian musicians and implications for policy. ’, International Journal of Cultural Policy, 28:2, pp. 166–86, https://doi.org/10.1080/10286632.2021.1916004. Accessed 1 July 2021.
     [Google Scholar]
  10. Crossley, Nick. ( 2019), Connecting Sounds: The Social Life of Music, Manchester:: Manchester University Press;.
     [Google Scholar]
  11. Elliott, David J., and Silverman, Marissa. ( 2013;), ‘ Why music matters: Philosophical and cultural foundations. ’, in R. MacDonald,, G. Kreutz, and L. Mitchell. (eds), Music, Health and Wellbeing, Oxford:: Oxford University Press;, pp. 942–1447.
     [Google Scholar]
  12. Fancourt, Daisy,, Steptoe, Andrew, and Bu, Feifei. ( 2021;), ‘ Trajectories of anxiety and depressive symptoms during enforced isolation due to COVID-19 in England: A longitudinal observational study. ’, Lancet Psychiatry, 8:2, pp. 141–49, https://doi.org/10.1016/S2215-0366(20)30482-X. Accessed 1 July 2021.
     [Google Scholar]
  13. Gabrielsson, Alf. ( 2011), Strong Experiences with Music: Music is Much More Than Just Music, Oxford:: Oxford University Press;, https://oxford-universitypressscholarship-com.libraryproxy.griffith.edu.au/view/10.1093/acprof:oso/9780199695225.001.0001/acprof-9780199695225. Accessed 7 July 2021.
     [Google Scholar]
  14. Helguera, Pablo. ( 2011), Socially Engaged Art, New York:: Jorge Pinto Books;.
     [Google Scholar]
  15. Higgins, Lee. ( 2012), Community Music: In Theory and Practice, New York:: Oxford University Press;.
     [Google Scholar]
  16. Hobbs, Holly,, Paraíso, Raquel, and Sella, Tamar. ( 2020;), ‘ Musicians in America during the COVID-19 pandemic 2020. ’, Society for Ethnomusicology Newsletter, 55:2, p. 6.
     [Google Scholar]
  17. Introna, Lucas D.. ( 2001;), ‘ Virtuality and morality: On (not) being disturbed by the Other. ’, Philosophy in the Contemporary World, 8:1, pp. 11–19.
     [Google Scholar]
  18. Kramer, Lawrence. ( 2011), Interpreting Music, Berkeley, CA:: University of California Press;.
     [Google Scholar]
  19. Mak, Hei Wan,, Fluharty, Meg, and Fancourt, Daisy. ( 2021;), ‘ Predictors and impact of arts engagement during the COVID-19 pandemic: Analyses of data from 19,384 adults in the COVID-19 social study. ’, Frontiers in Psychology, 12, April, pp. 1–17, https://doi.org/10.3389/fpsyg.2021.626263. Accessed 15 June 2021.
     [Google Scholar]
  20. MOMA (Museum of Modern Art) ( 2010;), ‘ Marina Abramovic: The artist is present. ’, MOMA, https://www.moma.org/learn/moma_learning/marina-abramovic-marina-abramovic-the-artist-is-present-2010/. Accessed 1 July 2021.
     [Google Scholar]
  21. Musgrave, George. ( forthcoming;), ‘ Losing work, losing purpose: Representations of musicians’ mental health in the time of COVID-19. ’, in G. Morrow,, D. Nordgård, and P. Tschmuck. (eds), Rethinking the Music Business: Music Contexts, Rights, Data and COVID-19, Cham:: Springer;.
     [Google Scholar]
  22. O’Dea, Jane. ( 2000), Virtue or Virtuosity: Explorations in the Ethics of Music Performance, Westport, CT:: Greenwood Press;.
     [Google Scholar]
  23. Onderdijk, Kelsey E.,, Acar, Freya, and Dyck, Edith Van. ( 2021;), ‘ Impact of lockdown measures on joint music making: Playing online and physically together. ’, Frontiers in Psychology, 12: May, pp. 1–14, https://doi.org/10.3389/fpsyg.2021.642713. Accessed 15 June 2021.
     [Google Scholar]
  24. Oxford Economics ( 2020;), ‘ The projected economic impact of COVID-19 on the UK creative industries. ’, Oxford Economics, 17 June, https://www.oxfordeconomics.com/recent-releases/The-Projected-Economic-Impact-of-COVID-19-on-the-UK-Creative-Industries. Accessed 5 November 2020.
     [Google Scholar]
  25. Sahid, Sekar. ( 2020;), ‘ What coronavirus has done to music industry and how they overcome it. ’, SSRN Electronic Journal, 5 May, pp. 1–5, https://doi.org/10.2139/ssrn.3590920. Accessed 15 June 2021.
     [Google Scholar]
  26. Simoniti, Vid. ( 2018;), ‘ Assessing socially engaged art. ’, Journal of Aesthetics and Art Criticism, 76:1, pp. 71–82, https://doi.org/10.1111/jaac.12414. Accessed 1 July 2021.
     [Google Scholar]
  27. Small, Christopher. ( 1998), Musicking: The Meanings of Performing and Listening, Hanover and London:: Wesleyan University Press;.
     [Google Scholar]
  28. Spiro, Neta,, Perkins, Rosie,, Kaye, Sasha,, Tymoszuk, Urszula,, Mason-Bertrand, Adele,, Cossette, Isabelle,, Glasser, Solange, and Williamon, Aaron. ( 2021;), ‘ The effects of COVID-19 lockdown 1.0 on working patterns, income, and wellbeing among performing arts professionals in the United Kingdom (April–June 2020). ’, Frontiers in Psychology, 11: February, pp. 1–17, https://doi.org/10.3389/fpsyg.2020.594086. Accessed 15 June 2021.
     [Google Scholar]
  29. Turino, Thomas. ( 2008), Music as Social Life: The Politics of Participation, Chicago:: University of Chicago Press;.
     [Google Scholar]
  30. Turino, Thomas. ( 2009a;), ‘ Formulas and improvisation in participatory music. ’, in G. Solis, and B. Nettl. (eds), Musical Improvisation: Art, Education, and Society, pp. 103–17, Urbana, IL:: University of Illinois Press;.
     [Google Scholar]
  31. Turino, Thomas. ( 2009b;), ‘ Four fields of music making and sustainable living. ’, The World of Music, 51:1, pp. 95–117.
     [Google Scholar]
  32. Wexler, Alice, and Sabbaghi, Vida. (eds) ( 2019), Bridging Communities through Socially Engaged Art, Milton:: Taylor & Francis;.
     [Google Scholar]
  33. Winker, Stephanie,, Ritter, Franziska, and Siegmund, Christian. ( 2022), 1:1 CONCERTS, http://1to1concerts.de/en/11-concerts-english/. Accessed 29 July 2021.
     [Google Scholar]
  34. Wong, Samson Kei Shun. ( 2019;), ‘ Applying an ethological perspective of art to the community arts and socially engaged arts. ’, Journal of Visual Art Practice, 18:3, pp. 205–20, https://doi.org/10.1080/14702029.2019.1613614. Accessed 1 July 2021.
     [Google Scholar]
  35. Grant, Catherine,, Loxley Slump, Zoë, and Walker, Sally. ( 2022;), ‘ 1:1 CONCERTS for a pandemic: Learnings from intimate musical encounters. ’, International Journal of Community Music, 15:2, pp. 193–209, https://doi.org/10.1386/ijcm_00059_1
     [Google Scholar]
/content/journals/10.1386/ijcm_00059_1
Loading
1:1 CONCERTS for a pandemic: Learnings from intimate musical encounters
International Journal of Community Music 15, 193 (2022); https://doi.org/10.1386/ijcm_00059_1
/content/journals/10.1386/ijcm_00059_1
/content/journals/10.1386/ijcm_00059_1
Loading

Data & Media loading...

  • Article Type: Article
Keyword(s): arts industry; COVID-19; dimensions of music; participatory music; presentational music; socially engaged arts

Most Cited Most Cited RSS feed

This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error