f Inclusion for all; all for inclusion

The title of this editorial speaks to the aspirational goal of inclusion for proponents and practitioners of community music. Inspired by feminist care ethics, Janelize Morelli’s article connects care with love, compassion and Lee Higgins’s oft-cited concept of hospitality. Seán Doherty’s article provides a personalized insight into a composer’s struggles to reconcile conservatory-trained musical thinking with the participatory goal of promoting social inclusion for asylum seekers in Ireland. Lotte Latukefu and Irina Verenikina’s article extends the dialogue on street music by describing the informal learning efforts by the Australian organizers of HONK! Oz. The articles ‘The CI Music Hour’ and ’Exploring approaches to community music delivery by practitioners with and without additional support needs’ address inclusion more directly – the former through a study of the experiences of those with cochlear implants, the latter by interrogating the possibilities of including those with additional support needs as leaders, not just as followers. Finally, Karl Gunther’s article considers the historical practice of auditions for community choirs.