Skip to content
1981
Practitioner Perspectives
  • ISSN: 1752-6299
  • E-ISSN: 1752-6302

Abstract

As a community musician seeking performance opportunities in Edmonton, I undertook a systematic exploration of the city’s 162 community leagues to understand their musical potential. What began as a practical curiosity about finding venues evolved into discovering an extensive but largely hidden musical ecosystem embedded within neighbourhood infrastructure. My environmental scanning revealed surprising results: 108 leagues demonstrated clear capacity for musical programming, yet most musical activity operated below the radar, woven into community events like volunteer appreciation dinners, seasonal celebrations and fundraising gatherings rather than existing as formal cultural programming. Music functioned as an enhancement to community life rather than as isolated entertainment. This discovery led me to develop a ‘performance ecology’ framework – a way of understanding how musical opportunities exist within interconnected networks of institutions, musicians and community members. Community music scholars helped me recognize that this ecological approach aligned with broader theoretical frameworks, particularly cultural democracy principles and social capital development, demonstrating how musical activity builds both bonding capital within neighbourhoods and bridging capital across different community groups. The systematic methodology I developed is transferable to other communities regardless of their specific infrastructure. By documenting over thirty-five types of community events with musical potential and identifying patterns across demographic groups and ongoing programmes, I found that most communities already possess both musicians and venues – what is often missing are the connections between them. This practitioner-led exploration offers concrete strategies for musicians, community organizations and cultural advocates seeking to enhance musical engagement. The key insight: community music is not something you add to community life – it is something you discover within it and help flourish through attention, connection and strategic support.

Loading

Article metrics loading...

/content/journals/10.1386/ijcm_00136_1
2026-02-07
2026-04-13

Metrics

Loading full text...

Full text loading...

References

  1. Arons, W. and May, T. J. (eds) (2012), Readings in Performance and Ecology, London: Palgrave Macmillan.
    [Google Scholar]
  2. Bartleet, B.-L. (2023), ‘A conceptual framework for understanding and articulating the social impact of community music’, International Journal of Community Music, 16:1, pp. 3149, https://doi.org/10.1386/ijcm_00074_1.
    [Google Scholar]
  3. Bronfenbrenner, U. (1979), The Ecology of Human Development: Experiments by Nature and Design, Cambridge, MA: Harvard University Press.
    [Google Scholar]
  4. Camlin, D. (2023), Music Making and Civic Imagination: A Holistic Philosophy, Bristol: Intellect.
    [Google Scholar]
  5. Dunn, W., Brown, C. and McGuigan, A. (1994), ‘The ecology of human performance: A framework for considering the effect of context’, The American Journal of Occupational Therapy, 48:7, pp. 595607, https://doi.org/10.5014/ajot.48.7.595.
    [Google Scholar]
  6. Edmonton Federation of Community Leagues (2025), ‘EFCL 2025–2029 strategic plan’, https://efcl.org/wp-content/uploads/2025/01/EFCL-Strategic-Plan-2025-2029_Final-1.pdf. Accessed 14 January 2025.
  7. Elliott, D., Silverman, M. and Bowman, W. (eds) (2016), ‘Artistic citizenship: Artistry, social responsibility, and ethical praxis’, https://books.google.com/books?hl=en&lr=&id=u-3mDAAAQBAJ&oi=fnd&pg=PP1&dq=Elliott,+D.,+Silverman,+M.,+%26+Bowm&ots=0Asi0dJZX0&sig=uWP63tsowQqNrFP5K80Bqh-UaMM. Accessed 27 March 2025.
  8. Finnegan, R. and Finnegan, R. H. (2007), The Hidden Musicians: Music-Making in an English Town, Middletown, CT: Wesleyan University Press.
    [Google Scholar]
  9. Higgins, L. (2012), Community Music: In Theory and in Practice, Oxford: Oxford University Press.
    [Google Scholar]
  10. Kenny, A. (2016), Communities of Musical Practice, Abingdon: Routledge.
    [Google Scholar]
  11. Kuban, R. (2005), Edmonton’s Urban Villages: The Community League Movement, Edmonton: University of Alberta.
    [Google Scholar]
  12. Putnam, R. D. (2015), ‘Bowling alone: America’s declining social capital’, in R. T. LeGates, F. Stout and R. W. Caves (eds), The City Reader, Abingdon: Routledge, pp. 18896.
    [Google Scholar]
  13. Schmitz, O. J. (2016), ‘Socio-ecological systems thinking’, The New Ecology, Princeton, NJ: Princeton University Press, pp. 10635.
    [Google Scholar]
  14. UNESCO (2024), ‘The tracker culture and public policy’, 25 March, https://www.unesco.org/en/articles/tracker-culture-public-policy-focus-culture-and-social-inclusion. Accessed 14 July 2025.
  15. Wilson, N., Gross, J. and Bull, A. (2017), Towards Cultural Democracy: Promoting Cultural Capabilities for Everyone, London: King’s College London.
    [Google Scholar]
/content/journals/10.1386/ijcm_00136_1
Loading
/content/journals/10.1386/ijcm_00136_1
Loading

Data & Media loading...

This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error
Please enter a valid_number test