An Unfinished Death: the legacy of Albert Camus and the work of textual memory in contemporary European and Algerian literatures

After a consideration of the prevalence of notions of haunting in recent literary and cultural analysis, the work of Assia Djebar is taken as an example of contemporary Algerian literature, in which memories of the dead haunt the living, sometimes in the form of ghosts. Djebar's meditations on Camus's death and on his unfinished text, Le Premier Homme, provide a starting point for an analysis of Camus's legacy in contemporary European and Algerian literatures. It is argued that much recent reading, informed by postcolonial theory, accusing Camus of mythologizing both himself and French Algeria, has not engaged fully with literary practice and the work of textual memory. Le Premier Homme is neither a mythologizing text, nor a surrender to nostalgia, but a text of mourning and loss written in full knowledge of the consequences of the war of independence. The article ends with an analysis of how Camus, in the form of the phantom, the phantasm and the fantast, appears in the work of two of other women writers in addition to that of Assia Djebar, the Algerian Massa Bey, and the French-Algerian Nina Bouraoui, showing how knowledge concerning the realities of the postcolonial world are to be found in its imaginative exploration.