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1981
Mirandese Studies: Language, Literature, Landscape and Pedagogy
  • ISSN: 1364-971X
  • E-ISSN: 1758-9150

Abstract

Review of: , Patrícia Sequeira Brás (2024)

Oxford, Berlin, Bruxelles, Chennai, Lausanne and New York: Peter Lang, 168 pp.,

ISBN 978-1-80079-836-6, e-book (PDF), £45

ISBN 978-1-80079-837-3, e-book (ePUB), £45

ISBN 978-1-80079-835-9, p/bk, £45

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2025-07-09
2026-04-12

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References

  1. Comolli, Jean-Louis (2010), ‘Frames and bodies – notes on three films by Pedro Costa: Ossos, No Quarto da Vanda, Juventude em Marcha’, Afterall, 24, Summer, pp. 6270, https://doi.org/10.1086/655929.
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  2. Ferreira, Carlos Melo (2018), Pedro Costa, Porto: Edições Afrontamento.
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  3. Hagener, Malte and Kaiser, Tina (eds) (2016), Pedro Costa, Film-Konzepte 41, Munich: Text+Kritik.
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  4. Jorge, Nuno Barradas (2020), Refocus: The Films of Pedro Costa, Edinburgh: Edinburgh University Press.
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  5. Rancière, Jacques (2008), The Emancipated Spectator (trans. G. Elliott), London and New York: Verso.
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  6. Rancière, Jacques (2009), ‘The politics of Pedro Costa’, originally published in Retrospective Pedro Costa, retrospective booklet, Tate Modern, London, 25 September–4 October, https://www.diagonalthoughts.com/?p=1546. Accessed 19 May 2025.
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  7. Rancière, Jacques (2014), The Intervals of Cinema (trans. J. Howe), London and New York: Verso.
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  8. Žižek, Slavoj (2006), The Parallax View, Cambridge, MA and London: MIT Press.
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  • Article Type: Book Review
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