Reimagining the archive as thick sound: A case study of Dhrupad from Bettiah and beyond

References

1. Bakhle, Janaki. ( 2005), Two Men and Music: Nationalism in the Making of an Indian Classical Tradition, New Delhi:: Oxford University Press;.
   [Google Scholar]
2. Bandyopadhyay, Gopeswar. ( 1917), Sangit Chandrika, Kolkata:: Rabindra Bharati University;.
   [Google Scholar]
3. Basso, Keith H.. ( 1996;), ‘ Wisdom sits in places: Notes on a Western Apache landscape. ’, in K. H. Basso, and S. Feld. (eds), Senses of Place, Sante Fe, NM:: School of American Research Press;, pp. 53–90.
   [Google Scholar]
4. Basu, Shivendranath. ( 1924), Sangit Samuchchai, vol. I, Varanasi:: Bharat Kala Parishad;.
   [Google Scholar]
5. Bua, Ingle. ( 1936), Pandit Gayanacharya K. Balkrishnabua Ichalkaranjikar yanche Charitra (in Marathi), Pune:: Aryabhushan Press;.
   [Google Scholar]
6. Casey, Edward. ( 1996;), ‘ How to get from space to place in a fairly short stretch of time. ’, in K. H. Basso, and S. Feld. (eds), Senses of Place, Sante Fe, NM:: School of American Research Press;, pp. 13–52.
   [Google Scholar]
7. Casey, Edward. ( [1987] 2000), Remembering: A Phenomenological Study, Bloomington, IN:: Indiana University Press;.
   [Google Scholar]
8. Farrell, Gerry. ( 1997), Indian Music and the West, Oxford:: Clarendon Press;.
   [Google Scholar]
9. Feld, Steven. ( 1996;), ‘ Waterfalls of song – an acoustemology of place resounding in Bosavi, Papua New Guinea. ’, in K. H. Basso, and S. Feld. (eds), Senses of Place, Sante Fe, NM:: School of American Research Press;, pp. 91–135.
   [Google Scholar]
10. Feld, Steven. ( 2010;), ‘ Re-producing acoustic landscapes. ’, in P. Gagliardi,, B. Latour, and P. Memelsdorff. (eds), Coping with the Past: Creative Perspectives on Conservation and Restoration, Firenze:: Leo S. Olschki;, pp. 97–114.
    [Google Scholar]
11. Deshpande, Vamanrao H.. ( [1973] 1987), Indian Musical Traditions: An Aesthetic Sutdy of the Gharanas in Hindustani Music, Bombay:: Popular Prakashan;.
    [Google Scholar]
12. Ganguly, O. C.. ( 1935), Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources, Mumbai:: Nalanda Books;.
    [Google Scholar]
13. Geertz, Clifford. ( 1973), The Interpretation of Cultures: Selected Essays, New York:: Basic Books;.
    [Google Scholar]
14. Kashi Sangeet Samaj ( 2006), Dharohar, Varanasi:.
    [Google Scholar]
15. Khan, Alladiya. ( 2000), Khansahab Alladiya Khan: My Life, translated by Amlan Das Gupta and Urmila Bhirdikar, Kolkata:: Thema;.
    [Google Scholar]
16. Lahiry, Kartik. ( 1977;), ‘ Bettiah Gharana: A school of Dhrupad. ’, Journal of the Indian Musicological Society, 8:3, pp. 29–47.
    [Google Scholar]
17. Misra, Kameswaranatha. ( 1997), Kasi ki Sangita Parampara: Sangita Jagat ko Kasi ka Yoga Dana, Lucknow:: Bharat Book Center;.
    [Google Scholar]
18. Neuman, Daniel M.. ( 1980), The Life of Music in North India, Detroit, MI:: Wayne State University Press;.
    [Google Scholar]
19. Novak, David, and Sakakeeny, Matt. ( 2015), Keywords in Sound, Durham, NC:: Duke University Press;.
    [Google Scholar]
20. Ranganathan, Sumitra. ( 2015;), ‘ Dwelling in my voice: Tradition as musical judgment and aesthetic sense in North Indian classical Dhrupad. ’, Ph.D. thesis, Berkeley, CA:: University of California;.
    [Google Scholar]
21. Sanyal, Amiyanath. ( 1953), Smritir Atale, Kolkata:: Calcutta Mitralaya;.
    [Google Scholar]
22. Sanyal, Ritwik, and Widdess, David Richard. ( 2004), Dhrupad: Tradition and Performance in Indian Music, Aldershot:: Ashgate;.
    [Google Scholar]
23. Sastri, Sudarsanacarya. ( 1916), Sangit Sudarsan, Benares:: Chowkhamba Sanskrit Series;.
    [Google Scholar]
24. Sayyid Safdar Husain Khan Dehlavi ( 1873), Qanoon-e-Sitara, Lucknow:: Munshi Naval Kishor Press;.
    [Google Scholar]
25. Schofield, Katherine Butler. ( 2013;), ‘ Chief musicians to the Mughal emperor: The Delhi kalawant biraderi, 17th to 19th centuries. ’, Journal of the Indian Musicological Society, n.pag.
    [Google Scholar]
26. Shelemay, Kay. ( 2011;), ‘ Musical communities: Rethinking the collective in music. ’, Journal of the American Musicological Society, 64:2, pp. 349–90.
    [Google Scholar]
27. Singh, Gajendra Narain. ( 1990), Bihar ki Sangita Parampara, Patna:: Sarada Prakasana;.
    [Google Scholar]
28. Subramanian, Lakshmi. ( 2006), From the Tanjore Court to the Madras Music Academy, New Delhi:: Oxford University Press;.
    [Google Scholar]
29. Truax, Barry. ( 2001), Acoustic Communication, , 2nd ed.., Westport, CT:: Ablex;.
    [Google Scholar]
30. Wade, Bonnie. ( 1984), Khyal: Creativity within North India’s Music Tradition, Cambridge:: Cambridge University Press;.
    [Google Scholar]
31. Weidman, Amanda. ( 2006), Singing the Classical, Voicing the Modern: The Postcolonial Politics of Voice in South India, Durham, NC:: Duke University Press;.
    [Google Scholar]
32. Ranganathan, Sumitra. ( 2020;), ‘ Reimagining the archive as thick sound: A case study of Dhrupad from Bettiah and beyond. ’, Indian Theatre Journal, 4:1, pp. 39–58, doi: https://doi.org/10.1386/itj_00005_1
    [Google Scholar]