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Transdisciplinarity in Disability, Art and Design
  • ISSN: 1757-1936
  • E-ISSN: 1757-1944
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Abstract

This Special Issue, guest-edited by art historian and curator Amanda Cachia, brings together artists and researchers situated in the overlapping communities concerned with disability studies, art and design to explore how the concept of ‘transdisciplinarity’ helps to navigate the intersection of disability, art form, audience and context. Readers will encounter a dynamic blend of twelve scholarly and artistic projects, which collectively explore evolutions and trends within the cross-pollination of disability, art and design, and explore the critical role of access as a medium of change.

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2025-02-04
2026-04-22

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References

  1. Cachia, Amanda (ed.) (2022), ‘Introduction: Committed to change: Ten years of creative access’, in Curating Access: Contemporary Disability Art and Institutional Critique, New York and London: Routledge, pp. 1–14.
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  2. Cachia, Amanda (2024), The Agency of Access: Contemporary Disability Art and Institutional Critique, Philadelphia, PA: Temple University Press.
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  3. McRuer, Robert (2006), Crip Theory: Cultural Signs of Queerness and Disability, New York: New York University Press.
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  4. Rigolot, Cyrille (2020), ‘Transdisciplinarity as a discipline and a way of being: Complementaries and creative tensions’, Humanities and Social Sciences Communications, 7:1, https://doi.org/10.1057/s41599-020-00598-5.
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  5. Scotch, Richard K. (2011), ‘Introduction: Disability and community’, in A. C. Carey and R. K. Scotch (eds), Disability and Community: Research in Social Science and Disability, vol. 6, Bingley: Emerald Publishing, pp. xiii–xvii.
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/content/journals/10.1386/jaac_00070_2
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  • Article Type: Editorial
Keyword(s): access; art forms; disability art activism; disability community; disabled embodiment; multi-disciplinary; neurodivergent community

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