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and Patricia Amorim Da Silva1
This article examines two approaches of shared art practice developed through the authors’ respective practice-led research (PLR) exploring landscape painting and photographic portraiture. Each approach utilizes a different combination of studio materials, processes and theoretical frameworks – from dialogics to intersectional feminism – to facilitate cross-cultural exchange through participatory or collaborative methods. Where these approaches align, however, is their use of theory pertaining to creative research and culture: notably, Homi K. Bhabha’s notion of ‘third space’. The authors also share a remit for reflexive studio practice to rigorously and ethically acknowledge their position in the PLR. These two approaches are outlined and compared so they may be adopted or adapted by those also exploring intersections between creative practice and cultural exchange in other contexts.
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https://doi.org/10.1386/jaac_00074_1 Published content will be available immediately after check-out or when it is released in case of a pre-order. Please make sure to be logged in to see all available purchase options.