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1981
Volume 13, Issue 1
  • ISSN: 1754-9221
  • E-ISSN: 1754-923X

Abstract

Review of: , Will Higbee, Florence Martin and Jamal Bahmad (2020)

Edinburgh: Edinburgh University Press, 277 pp.,

ISBN 978-1-47447-793-2, h/bk, USD 80

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/content/journals/10.1386/jac_00046_5
2021-12-01
2026-04-16

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References

  1. Carter, Sandra. ( 2009), What Moroccan Cinema? A Historical and Critical Study 1956–2006, Lanham, MD:: Lexington Books;.
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  2. Dwyer, Kevin. ( 2004), Beyond Casablanca: M. A. Tazi and the Adventure of Moroccan Cinema, Bloomington, IN and Indianapolis, IN:: Indiana University Press;.
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  3. El Machrouh, Bouchta. ( 2015;), ‘ Mo’attayat Jadida hawla al-Bidayat al-Oula li Cinema bi al-Maghrib’ (‘New data on the early beginnings of cinema in Morocco’). , in A. Sijilmassi. (ed.), Adwae ’ala a-Tourath Cinema’i al-Maghribi (‘Lights on the Moroccan cinematic heritage’), Fez:: Imprimerie Al Houria;, pp. 6479.
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  4. Higbee, Will. ( 2019;), ‘ Moroccan diasporic cinema: The “rooted transnationalism” of cineastes de passage. ’, Transnational Screens, 10:2, pp. 7588.
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  5. Limbrick, Peter. ( 2020), Arab Modernism as World Cinema: The Films of Moumen Smihi, Berkeley, CA:: University of California Press;.
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  6. Orlando, Valérie. ( 2011), Screening Morocco: Contemporary Film in a Changing Society, Athens, OH:: Ohio University Press;.
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  • Article Type: Other review
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