Death and negritude: Bekolo’s Miraculous Weapons

References

1. Badiou, Alain (2013), Cinema, Cambridge: Polity Press.
   [Google Scholar]
2. Bekolo, Jean-Pierre (1992), Quarter Mozart, Cameroon: Kola Cae, Cameroon Radio & Television.
   [Google Scholar]
3. Bekolo, Jean-Pierre (1996a), Grandmother’s Grammar, Cameroon: Jean-Pierre Bekolo.
   [Google Scholar]
4. Bekolo, Jean-Pierre (1996b), Aristotle’s Plot, France and Zimbabwe: JBA Production and BFI.
   [Google Scholar]
5. Bekolo, Jean-Pierre (2005), Les Saignantes, Cameroon and France: Quartier Mozart Films, é4 Televison.
   [Google Scholar]
6. Bekolo, Jean-Pierre (2013), Le président, Cameroon and Germany: Weltfilm, Jean-Pierre Bekolo and Canal+ Afrique.
   [Google Scholar]
7. Bekolo, Jean-Pierre (2015a), Mudimbe’s Order of Things, Cameroon, USA and France: Jean-Pierre Bekolo.
   [Google Scholar]
8. Bekolo, Jean-Pierre (2015b), Looking for Lost Obama, Cameroon: Jean-Pierre Bekolo.
   [Google Scholar]
9. Bekolo, Jean-Pierre (2016), Naked Reality, Cameroon and South Africa: Jean-Pierre Bekolo.
   [Google Scholar]
10. Bekolo, Jean-Pierre (2017), Miraculous Weapons, Cameroon and South Africa: Jean-Pierre Bekolo.
    [Google Scholar]
11. Boisseron, Bénédicte (2018), Afro-Dog: Blackness and the Animal Question, New York: Columbia University Press.
    [Google Scholar]
12. Césaire, Aimé (1939), Cahier d’un retour au pays natal, Paris: Présence Africaine.
    [Google Scholar]
13. Césaire, Aimé (1946), Les Armes miraculeuses, Paris: Gallimard.
    [Google Scholar]
14. Césaire, Aimé (1983), Cahier d’un retour au pays natal, Paris: Présence Africaine.
    [Google Scholar]
15. Cioran, Emil (1992), On the Heights of Despair (trans. I. Zarifopol-Johnston), Chicago, IL: University of Chicago Press.
    [Google Scholar]
16. Damas, Léon-Gontran (1937), Pigments, Paris: Présence Africaine.
    [Google Scholar]
17. Diagne, Souleymane B. (2011), African Art as Philosophy: Senghor, Bergson and the Idea of Negritude (trans. C. Jeffers), Calcutta: Seagull Books.
    [Google Scholar]
18. Diagne, Souleymane B. (2019), Postcolonial Bergson (trans. L. Turner), New York: Fordham University Press.
    [Google Scholar]
19. Diawara, Manthia (2000), In Search of Africa, Cambridge, MA: Harvard University Press.
    [Google Scholar]
20. Diawara, Manthia (2010), African Film: New Forms of Aesthetics and Politics, Berlin: Prestel Verlag.
    [Google Scholar]
21. Dima, Vlad (2020), The Beautiful Skin: Football, Fantasy, and Cinematic Bodies in Africa, East Lansing, MI: Michigan State University Press.
    [Google Scholar]
22. Dima, Vlad (2022), Meaninglessness: Time, Rhythm, and the Undead in Postcolonial Cinema, East Lansing, MI: Michigan State University Press.
    [Google Scholar]
23. Ebong, Ima (1999), ‘Negritude: Between mask and flag – Senegalese cultural ideology and the Ecole de Dakar’, in O. Oguibe and O. Enwezor (eds), Reading the Contemporary: African Art from Theory to the Marketplace, Cambridge, MA: Massachusetts Institute of Technology Press, pp. 128–43.
    [Google Scholar]
24. Fanon, Franz (2008a), Black Skin, White Masks (trans. R. Philcox), New York: Grove Press.
    [Google Scholar]
25. Fanon, Franz ([1968] 2008b), The Wretched of the Earth (trans. C. Farrington), New York: Grove Press.
    [Google Scholar]
26. Foucault, Michel (1966), Les Mots et les choses, Paris: Gallimard.
    [Google Scholar]
27. Godard, Jean-Luc (1960), A bout de souffle, France: Société Nouvelle de Cinématographie.
    [Google Scholar]
28. Harrow, Kenneth (2007), Postcolonial African Cinema: From Political Engagement to Postmodernism, Bloomington, IN: Indiana University Press.
    [Google Scholar]
29. Harrow, Kenneth (2013), Trash: African Cinema from Below, Bloomington, IN: Indiana University Press.
    [Google Scholar]
30. Irele, Abiola (1965), ‘Negritude-literature and ideology’, Journal of Modern African Studies, 3:4, pp. 499–526.
    [Google Scholar]
31. Irele, Abiola (1981), The African Experience in Literature and Ideology, Bloomington, IN: Indiana University Press.
    [Google Scholar]
32. Mbembe, Achille (2019), Necro-Politics (trans. S. Corcoran), Durham, NC: Duke University Press.
    [Google Scholar]
33. Murphy, David (2014), ‘Culture, development, and the African renaissance: Ousmane Sembène and Léopold Senghor at the World Festival of Negro Arts (Dakar 1966)’, in L. Vetinde and A. T. Fofana (eds), Ousmane Sembène and the Politics of Culture (After the Empire: the Francophone World and Postcolonial France), London: Lexington Books, pp. 1–16.
    [Google Scholar]
34. Murphy, David and Williams, Patrick (2007), Postcolonial African Cinema: Ten Directors, Manchester: Manchester University Press.
    [Google Scholar]
35. Rabaka, Reiland (2015), The Negritude Movement. W.E.B. Du Bois, Leon Damas, Aime Cesaire, Leopold Senghor, Frantz Fanon, and the Evolution of an Insurgent Idea, London: Lexington Books.
    [Google Scholar]
36. Rovelli, Carlo (2018), The Order of Time (trans. S. Carnell and E. Segre), New York: Riverhead Books.
    [Google Scholar]
37. Sartre, Jean-Paul (1943), L’Etre et le néant, Paris: Libraries Gallimard.
    [Google Scholar]
38. Sartre, Jean-Paul (1945), Huit Clos, Paris: Libraries Gallimard.
    [Google Scholar]
39. Senghor, Léopold S. (1964), Liberté 1: Négritude et Humanisme, Paris: Editions du Seuil.
    [Google Scholar]
40. Soyinka, Wole (1976), Myth, Literature and the African World, Cambridge: Cambridge University Press.
    [Google Scholar]
41. Soyinka, Wole (1999), The Burden of Memory, The Muse of Forgiveness, Oxford: Oxford University Press.
    [Google Scholar]
42. Soyinka, Wole (2012), Of Africa, New Haven, CT: Yale University Press.
    [Google Scholar]
43. Tcheuyap, Alexie (2011), Postnationalist African Cinemas, Manchester: Manchester University Press.
    [Google Scholar]
44. Ukadike, Frank (1994), Black African Cinema, Berkeley, CA: University of California Press.
    [Google Scholar]
45. Wilder, Gary (2015), Freedom Time: Negritude, Decolonization, and the Future of the World, Durham, NC: Duke University Press.
    [Google Scholar]