Small, invisible moments: A camera on my lap

References

1. Barrett, Estelle and Bolt, Barbara (eds) (2010), Practice as Research: Approaches to Creative Arts Enquiry, London: Bloomsbury.
   [Google Scholar]
2. Barry, Shelley (2005a), Retrato/Portrait, https://vimeo.com/374148670/275973d604. Accessed 17 October 2023.
   [Google Scholar]
3. Barry, Shelley (2005b), Str/oll, https://vimeo.com/418023641/774c781a9e. Accessed 17 October 2023.
   [Google Scholar]
4. Barry, Shelley (2005c), Where Are My Heels, https://vimeo.com/432803814/2c67334ded. Accessed 17 October 2023.
   [Google Scholar]
5. Barry, Shelley (2006), Cry Like the Loons, https://vimeo.com/418015614/b56c67ae7b. Accessed 17 October 2023.
   [Google Scholar]
6. Barry, Shelley (2007a), New York/New Brighton, https://vimeo.com/440255535/2ae79e7f4e. Accessed 17 October 2023.
   [Google Scholar]
7. Barry, Shelley (2007b), Where We Planted Trees, https://vimeo.com/442308794/dbd0de9ffa. Accessed 17 October 2023.
   [Google Scholar]
8. Barry, Shelley (2011), The Travelling Poet, London: The British Council.
   [Google Scholar]
9. Barry, Shelley (2022), A Camera on My Lap, https://vimeo.com/687161333/ae6d698dfd. Accessed 17 October 2023.
   [Google Scholar]
10. Barry, Shelley (2004), Whole: A Trinity of Being, https://vimeo.com/373557047/09fb670e6b. Accessed 17 October 2023.
    [Google Scholar]
11. Barry, Shelley (2021), 31 Days in August, https://vimeo.com/628025596/b9401efc33. Accessed 17 October 2023.
12. Barry, Shelley and Simmons, Jen (2005), Inclinations, https://vimeo.com/425496497/bacc09fb2b. Accessed 17 October 2023.
    [Google Scholar]
13. Bogdanovich, Peter (2015), in-person interview with J. Mekas, Interview, 26 October, https://www.interviewmagazine.com/film/jonas-mekas. Accessed 17 October 2023.
14. Burckhardt, Richard (1992), ‘How I think I made some of my films’, in D. E. James (ed.), To Free the Cinema: Jonas Mekas and the New York Underground, Princeton, NJ: Princeton University Press, pp. 97–100.
    [Google Scholar]
15. Campt, Tina (2021), A Black Gaze, Cambridge, MA: MIT Press.
    [Google Scholar]
16. Cole, T. Rachel (2017), ‘T Cole, Jonas Mekas on documenting your life’, The Creative Independent, 10 October, https://thecreativeindependent.com/people/2017-10-10-jonas-mekas-on-documenting-your-life/. Accessed 6 August 2025.
17. Elder, R. Bruce (n.d.), ‘Notes towards a sketch of Jonas’, R. Bruce Elder, https://rbruceelder.com/documents/writing/bibliography/film/critical_writing/1993_JonasMekasPoetAndFilmmaker.pdf. Accessed 17 October 2023.
18. Hattenstone, Sìmon (2019), ‘The last interview with Jonas Mekas, Godfather of avantgarde film’, The Guardian, 24 January, https://www.theguardian.com/film/2019/jan/24/jonas-mekas-last-interview-godfather-underground-film-avant-garde-john-yoko-dali-warhol.
    [Google Scholar]
19. Hannula, Mika, Suoranta, Juha and Vadén, Tere (2014), Artistic Research Methodology: Narrative, Power and the Public, New York: Peter Lang Inc. and International Publishers.
    [Google Scholar]
20. James, David (1982), To Free the Cinema: Jonas Mekas and the New York Underground, Princeton, NJ: Princeton University Press.
    [Google Scholar]
21. Jasinskaite, Ieva, (2020), ‘Aesthetic puzzlements: Jonas Mekas’s diary films and Ludwig Wittgenstein’, Film-Philosophy, 24:2, pp. 162–84, https://doi.org/10.3366/film.2020.0137.
    [Google Scholar]
22. Krstić, Igor (2017), ‘A foreigner in one’s own tongue: Jonas Mekas, minor cinema and the philosophy of autobiographical documentary’, New Cinemas: Journal of Contemporary Film, 15:1, pp. 97–117, https://doi.org/10.1386/ncin.15.1.97_1.
    [Google Scholar]
23. Kuchar, George (1992), ‘The old days’, in D. E. James (ed.), To Free the Cinema: Jonas Mekas and the New York Underground, Princeton, NJ: Princeton University Press, pp. 49–50.
    [Google Scholar]
24. Kurchanova, Natasha (2015), ‘Jonas Mekas: “I have a need to film small, almost invisible daily moments”’, Studio International, 10 September, https://www.studiointernational.com/index.php/jonas-mekas-interview-365-day-project-microscope-gallery-brooklyn. Accessed 17 October 2023.
25. Lorde, Audre (1980), The Cancer Journals, San Francisco, CA: Lute Books.
    [Google Scholar]
26. Lumholdt, Jan (2003), Lars von Trier: Interviews, Jackson, MS: University of Mississippi Press.
    [Google Scholar]
27. MacDonald, Scott (1997), ‘The country in the city: Central Park in Jonas Mekas’s Walden and William Greaves’s Symbiopsychotaxiplasm: Take One’, Journal of American Studies, 31:3, pp. 337–60, https://doi.org/10.1017/S0021875897005768.
    [Google Scholar]
28. Maharaj, Sarat (2004), ‘Unfinishable sketch of “an unknown object in 4D”: Scenes of artistic research’, in A. Balkema and W. Slager (eds), Artistic Research, Amsterdam: Rodopi, pp. 39–58.
    [Google Scholar]
29. Mekas, Jonas (1972), Movie Journal: The Rise of a New American Cinema 1959–1971, New York: Macmillan Company.
    [Google Scholar]
30. Mekas, Jonas (1975), ‘Where are we/the underground?’, Bzzlletin Jaargang, 5:33, pp. 39–40.
    [Google Scholar]
31. Mekas, Jonas (1996), ‘“Anti-100 years of cinema manifesto”, speech at American Centre in Paris’, INCITE: Journal of Experimental Media, https://incite-online.net/jonasmekas.html. Accessed 17 October 2023.
    [Google Scholar]
32. Mistry, Jyoti, Bernink, Meike and Hoogenboom, Marijke (eds) (2017), Places to Play: Practice, Research & Pedagogy: Artistic Research in and through Cinema, Amsterdam: Amsterdam University of the Arts, Netherlands Film Academy.
    [Google Scholar]
33. Rachel, T. Cole (2017), ‘Filmmaker Jonas Mekas on documenting your life’, 10 October, https://thecreativeindependent.com/people/2017-10-10-jonas-mekas-on-documenting-your-life/. Accessed 17 October 2023.
34. Renov, Michael (2004), The Subject of Documentary, Minneapolis, MN: University of Minnesota Press.
    [Google Scholar]
35. Russell, Catherine (1999), Experimental Ethnography: The Work of Film in the Age of Video, Durham, NC: Duke University Press.
    [Google Scholar]
36. Smulewicz-Zucker, Gregory (2016), Movie Journal: The Rise of the New American Cinema, 1959–1971, New York: Columbia University Press.
    [Google Scholar]
37. Smith, Tom (2008), ‘Moment by moment by moment: Reflections on Jonas Mekas’ 365 Films’, Vertigo, 4:1, pp. 17–19.
    [Google Scholar]
38. Vollenhoven, Sylvia (2021), ‘Writing ourselves back into history: The liberating narrative of who we are’, in B. Muthien and J. Bam (eds), Rethinking Africa: Indigenous Women Re-Interpret Southern Africa’s Pasts, Auckland Park: Jacana Media, pp. 24–50.
    [Google Scholar]
39. Whitfield, Zoe (2019), ‘A guide to filmmaking from the godfather of avant-garde cinema, Jonas Mekas’, Another Man, 24 January, https://www.anothermanmag.com/life-culture/10289/5-tips-for-filmmakers-from-the-godfather-of-underground-cinema-jonas-mekas. Accessed 17 October 2023.
40. Barry, Shelley (2019), Die Kat en die Voël, https://vimeo.com/378732224/0d3f916d09. Accessed 17 October 2023.
    [Google Scholar]
41. Campt, Tina (2019), ‘Black visuality and the practice of refusal’, Women & Performance: A Journal of Feminist Theory, 29:1, pp. 79–87, https://doi.org/10.1080/0740770X.2019.1573625.
    [Google Scholar]
42. Campt, Tina (2020), ‘The grain of the amateur’, Third Text, 34:1, pp. 37–47, https://doi.org/10.1080/09528822.2019.1657301.
    [Google Scholar]