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1981
Volume 16, Issue 1
  • ISSN: 2040-199X
  • E-ISSN: 1751-7974

Abstract

For sometime now, there has been a conversation among scholars about male hegemony in African popular music and how some women performers resist the established status quo. In joining the discourse in this article, I focus on the music of Diepreye Osi, a female bandleader among the Ịjọ of Nigeria’s Niger Delta region. With particular attention to the departments in the bands of that premier neo-traditional music in the Ịjọ community, including instrumentation, dancing and singing, I argue that Diepreye contests patriarchy in her musical ensemble. Data for the study was gathered from unstructured interviews of artists and non-artists, and observation of live performances.

Funding
This study was supported by the:
  • Carneigie/American Council of Learned Societies
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/content/journals/10.1386/jams_00104_1
2023-09-15
2026-04-10

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/content/journals/10.1386/jams_00104_1
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  • Article Type: Article
Keyword(s): backup singer; bandleader; Ebizimor; Niger Delta; owigiri; Smooth
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