f Shot attempts: F**k Po****cs! Performing is enacting indeed!

This text is an experiment, an attempt to play with the style of theoretical language, and to harness the performative potential of the journal format. The invented concepts of ‘shot attempts’ and ‘the you’ are used in parallel to the artist’s practice, to drive a quasi-theoretical explication of the artwork–viewer relationship. Academic convention lapses into poetic and artistic flourishes, and demands are made of the reader to question dichotomies (mind–body, subject–object) through a series of directives.