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1981
Volume 8, Issue 2-3
  • ISSN: 2051-7041
  • E-ISSN: 2051-705X

Abstract

In early 2020, the unforeseen COVID-19 has brought the art world to its knees, particularly the contemporary art scene needs viewers and feedback to survive. Artists require new channels connecting them with their audiences, while artists’ work needs to be seen and appreciated by the public to sustain its value. In the face of social distancing restrictions and limited visitors, however, many international exhibitions are forced to cancel or postponed. With less to no patronage, will the global pandemic bring the end of the art world? As the global pandemic has forced most social and cultural events moving online, the art biennials are no exception. This article examines the art biennial, the Olympics of the art world, to rediscover the meaning of ‘art’ before and after COVID-19. Integrating virtual presentation and digital campaign between the Taipei Biennial and the Shanghai Biennale, the first running art biennials across the Taiwan Strait, this article analyses and presents the art world’s potential shifts in the post-pandemic future.

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2021-11-01
2026-04-23

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From IRL (in-real-life) to URL: Capturing the art biennial amid COVID-19
Journal of Contemporary Chinese Art 8, 291 (2021); https://doi.org/10.1386/jcca_00048_1
/content/journals/10.1386/jcca_00048_1
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  • Article Type: Article
Keyword(s): art and technology; art biennial; digital reproduction; exhibition value; media and mediation; post-COVID-19; social media; visual culture

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