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In Chinese contemporary everyday aesthetics, the concept of collective aesthetics plays an indispensable role. This notion, as manifested in the daily life of contemporary China, originates from the unified paradigm of socialist ideology established in the early years of the People’s Republic of China. It is reflected in the everyday behaviours and lifestyles of the Chinese people and exerts a significant influence on interpersonal relationships. Furthermore, this form of collective aesthetics continues to evolve and adapt in response to ongoing political, social and cultural developments. This article explores the collective aesthetics present in contemporary Chinese art, focusing on representative works by Zhang Xiaogang, Yu Hong and other artists. These artworks represent the collective aesthetic sensibility and provide a critical framework for examining the emergence, evolution and development of everyday aesthetic imagery, including specifically blue uniform, grey sofa, white doily and green wall.