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Volume 13, Issue 1
  • ISSN: 2045-5836
  • E-ISSN: 2045-5844

Abstract

This article discusses the sonic and spatial configurations of the Spiritualist séance as a speculative antecedent to the presence of disembodied voices, such as Amazon’s Alexa, in contemporary homes. I examine archival notes, photographs and audio recordings in order to unpack how séances curated domestic spaces in order to display and interrogate unseen agents. Further, I consider the presentation of the sound installation (2017) by Wesley Goatley at IMPAKT festival, curated by the curatorial collective Haunted Machines, as a case study that demonstrates how the exhibition framework articulated in the séance room might be applied as critical strategy in gallery spaces.

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2024-08-30
2025-02-06
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