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This article discusses the sonic and spatial configurations of the Spiritualist séance as a speculative antecedent to the presence of disembodied voices, such as Amazon’s Alexa, in contemporary homes. I examine archival notes, photographs and audio recordings in order to unpack how séances curated domestic spaces in order to display and interrogate unseen agents. Further, I consider the presentation of the sound installation The Dark Age of Connectionism: Captivity (2017) by Wesley Goatley at IMPAKT festival, curated by the curatorial collective Haunted Machines, as a case study that demonstrates how the exhibition framework articulated in the séance room might be applied as critical strategy in gallery spaces.
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https://doi.org/10.1386/jcs_00096_1 Published content will be available immediately after check-out or when it is released in case of a pre-order. Please make sure to be logged in to see all available purchase options.