Museum Display Between Past and Present: Contemporary Explorations of Historical Display Design at Designmuseum Danmark

References

1. Aynsley, Jeremy (2006), ‘The Modern Period Room – a Contradiction in Terms?’, in Penny Sparke, Brenda Martin and Trevor Keeble (eds), The Modern Period Room: The Construction of the Exhibited Interior 1870–1950, London and New York: Routledge, pp. 8–30.
   [Google Scholar]
2. Bennett, Tony (1988), ‘The Exhibitionary Complex’, New Formations, 4, pp. 73–102.
   [Google Scholar]
3. Brenna, Brita (2014), ‘Nature and Texts in Glass Cases: The Vitrine as a Tool for Textualizing Nature’, Nordic Journal of Science and Technology Studies, 2:1, pp. 46–51, https://doi.org/10.5324/njsts.v2i1.2136.
   [Google Scholar]
4. Carroll, Khadija von Zinnenburg (2013), ‘Vitrinendenken: Vectors Between Subject and Object’, in G. Ulrich Grossmann and Petra Krutisch (eds), The Challenge of the Object, Congress of the International Committee of the History of Art, Nuremberg: Germanisches National Museum, pp. 316–17.
   [Google Scholar]
5. Charman, Helen (2016), ‘Just What Is It that Makes Curating Design So Different, So Appealing?’, in Liz Farrelly and Johanna Weddell (eds), Design Objects and the Museum, London and New York: Bloomsbury, pp. 137–47.
   [Google Scholar]
6. Classen, Constance and Howes, David (2006), ‘The Museum as Sensescape: Western Sensibilities and Indigenous Artifacts’, in Elizabeth Edwards, Chris Gosden and Ruth B. Phillips (eds), Sensible Objects: Colonialism, Museums and Material Culture, Oxford: Berg, pp. 199–222.
   [Google Scholar]
7. Crenn, Gaëlle (2021), ‘“Storage Exhibitions” in Permanent Museum Collections: Interpretation, Critical Reflexivity and Democratisation’, Museum International, 73:1–2, pp. 88–99, https://doi.org/10.1080/13500775.2021.1956743.
   [Google Scholar]
8. Habsburg-Lothringen, Bettina (2015), ‘From Object to Environment: The Recent History of Exhibitions in Germany and Austria’, in Michelle Henning (ed.), The International Handbooks of Museum Studies: Museum Media, Chichester: John Wiley, pp. 327–48.
   [Google Scholar]
9. Harkær, Gorm (2010), Kaare Klint, Copenhagen: Klintania.
   [Google Scholar]
10. Hooper-Greenhill, Eilean (1992), Museums and the Shaping of Knowledge, London and New York: Routledge.
    [Google Scholar]
11. Impey, Oliver R. and MacGregor, Arthur (eds) (1985), The Origins of Museums: The Cabinet of Curiosities in Sixteenth- and Seventeenth-Century Europe, Oxford: Clarendon Press.
    [Google Scholar]
12. Klint, Kaare (1923), ‘Betænkning – over de museale Forhold ved Indretningen af Kunstindustrimuseet i det gamle Frederiks Hospital’, unpublished report, 7 May, Copenhagen: Designmuseum Danmark’s Book Archive.
    [Google Scholar]
13. Klonk, Charlotte (2009), Spaces of Experience: Art Gallery Interiors from 1800 to 2000, New Haven, CT and London: Yale University Press.
    [Google Scholar]
14. Levent, Nina and Pascual-Leone, Alvaro (eds) (2014), The Multisensory Museum: Cross-Disciplinary Perspectives on Touch, Sound, Smell, Memory and Space, Lanham, MD: Rowman and Littlefield.
    [Google Scholar]
15. Loveday, Donna (2022), Curating Design: Context, Culture and Reflective Practice, London, New York and Dublin: Bloomsbury.
    [Google Scholar]
16. Lubar, Steven (2017), Inside the Lost Museum: Curating, Past and Present, Cambridge, MA and London: Harvard University Press.
    [Google Scholar]
17. MacGregor, Arthur (2007), Curiosity and Enlightenment: Collectors and Collections from the Sixteenth to the Nineteenth Century, New Haven, CT and London: Yale University Press.
    [Google Scholar]
18. MacLeod, Suzanne, Hanks, Laura H. and Hale, Jonathan (eds) (2012), Museum Making: Narratives, Architectures, Exhibitions, London and New York: Routledge.
    [Google Scholar]
19. Myzelev, Alla (2017), ‘Introduction: The Persistence of the White Cube Paradigm’, in Alla Myzelev (ed.), Exhibiting Craft and Design: Transgressing the White Cube Paradigm, 1930–Present, London and New York: Routledge, pp. 1–21.
    [Google Scholar]
20. O’Doherty, Brian (1999 [1976]), Inside the White Cube: The Ideology of the Gallery Space, Berkeley, CA: University of California Press.
    [Google Scholar]
21. O’Neill, Morna (2007), ‘Rhetorics of Display: Arts and Crafts and Art Nouveau at the Turin Exhibition of 1902’, Journal of Design History, 20:3, pp. 205–25.
    [Google Scholar]
22. Olesen, Christian H. (2022), interview with Pernille Stockmarr, August, Copenhagen.
23. Pilegaard, Ane (2017a), ‘Between Bodies: Activating the Space in Between Museum Visitor and Objects on Display’, Interiors: Design/Architecture/Culture, 8:3, pp. 86–109, https://doi.org/10.1080/20419112.2018.1440051.
    [Google Scholar]
24. Pilegaard, Ane (2017b), ‘Encountering the Vitrine: Distance and Proximity Effects in Museum Vitrines, Nordisk Museologi, 2, pp. 5–21.
    [Google Scholar]
25. Putnam, James (2009), Art and Artifact: The Museum as Medium, New York: Thames and Hudson.
    [Google Scholar]
26. Sommer, Anne-Louise (2007), Kaare Klint, Copenhagen: Aschehoug.
    [Google Scholar]
27. Sommer, Anne-Louise and Tvarnø, Henrik (2022), ‘Foreword’, in Velkommen til det nye Designmuseum Danmark, Årsberetning 2022, pp. 2–3, https://designmuseum.dk/wp-content/uploads/2023/06/Aarsrapport_2022_web_low_2-sidet.pdf. Accessed 12 August 2024.
    [Google Scholar]
28. Staniszewski, Mary Anne (1998), The Power of Display: A History of Exhibition Installations at the Museum of Modern Art, Cambridge, MA: MIT Press.
    [Google Scholar]
29. Walklate, Jen A. (2023), Time and the Museum: Literature, Phenomenology and the Production of Radical Temporality, London and New York: Routledge.
    [Google Scholar]