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, Joëlle Farchy1
and Jaercio da Silva2
This article studies the impact of the rise of new content consumption methods on French audio-visual production. To this end, we conducted 26 semi-structured interviews with producers, investigating their relationship with new online players, as well as their work habits. This study makes it possible to distinguish between two market segments: the first is organized around US-based subscription video on demand platforms (Netflix, Amazon Prime and Disney+) and the second around players from the competitive fringe, who are smaller but whose demand still fuels the French audio-visual sector.
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https://doi.org/10.1386/jdmp_00132_1 Published content will be available immediately after check-out or when it is released in case of a pre-order. Please make sure to be logged in to see all available purchase options.