Coming to our senses: Perceptual performance and fields of intensities

This article examines new methods and practices for the performance of interrelational spaces and perceptions in choreography and sound technologies. The series of works discussed, strategically solicit somatic-informed choreography to question attentiveness to space, time and body in intermodal arrangements. The critical spatial practice examines the potential for ubiquitous technologies to disrupt perceptions of time and place in live performance situations towards new methods of performance encounter.