Choreography Invisible: The Disappearing Work of Dance, Anna Pakes (2020)

References

1. Dodd, Julian. ( 2007), Works of Music: An Essay in Ontology, Oxford:: Oxford University Press;.
   [Google Scholar]
2. Goodman, Nelson. ( 1976), Languages of Art: An Approach to a Theory of Symbols, Indianapolis, IN and Cambridge, MA:: Hackett Publishing Company Inc;.
   [Google Scholar]
3. Levinson, Jerrold. ( 1980;), ‘ What a musical work is. ’, The Journal of Philosophy, 77:1, pp. 5–28.
   [Google Scholar]
4. Levinson, Jerrold. ( 1990), Music, Art, and Metaphysics: Essays in Philosophical Aesthetics, New York:: Cornell University Press;.
   [Google Scholar]
5. Levinson, Jerrold. ( 2012;), ‘ Indication, abstraction and individuation. ’, in C. M. Uidhir. (ed.), Art and Abstract Objects, Oxford:: Oxford University Press;, pp. 49–61.
   [Google Scholar]
6. Pouillaude, Frédéric. ( 2017), Unworking Choreography: The Notion of the Work in Dance (trans. A. Pakes.), New York:: Oxford University Press;.
   [Google Scholar]
7. Thomasson, Amie. ( 2004;), ‘ The ontology of art. ’, in P. Kivy. (ed.), The Blackwell Guide to Aesthetics, Oxford:: Blackwell Publishing;, pp. 78–92.
   [Google Scholar]
8. Wolterstorff, Nicholas. ( 1980), Worlds and Works of Art, Oxford:: Oxford University Press;.
   [Google Scholar]