Speculative desires and future imaginings: Reflections from practice

References

1. Akinleye, A. (ed.) (2018a), Narratives in Black British Dance: Embodied Practices, London: Palgrave Macmillan.
   [Google Scholar]
2. Akinleye, A. (2018b), ‘Narratives in Black British dance: An introduction’, in A. Akinyele (ed.), Narratives in Black British Dance: Embodied Practices, London: Palgrave Macmillan, pp. 1–17.
   [Google Scholar]
3. Nelson, M. (2022), On Freedom: Four Songs of Care and Constraint, London: Vintage.
   [Google Scholar]
4. Reed, S. (2015), ‘Attending to movement: The need to make dance that was different to that which went before’, in S. Whatley, N. G. Brown and K. Alexander (eds), Attending to Movement: Somatic Perspectives on Living in this World, Charmouth: Triarchy Press, pp. 205–16.
   [Google Scholar]
5. Adewole, F. (2016), ‘Snapshots of practice: Practitioners working with African and Caribbean dance forms from a somatic perspective’, in F. Adewole (ed.), The ADAD 21st Anniversary Edition of Hotfoot, London: One Dance UK, p. 128.
   [Google Scholar]
6. Eddy, M. (2009), ‘A brief history of somatic practices and dance: Historical development of somatic education and its relationship to dance’, Journal of Dance and Somatic Practices, 1:1, pp. 5–27.
   [Google Scholar]
7. Templeton, M. (2017), ‘Walking with the self: Zab Maboungou’s interventions against Eurocentrism through contemporary African dance’, Dance Research Journal, 49:2, pp. 44–61.
   [Google Scholar]