Full text loading...
Migration films represent an emerging genre of film-making that is increasingly influencing European citizens and policy-makers alike. Through them, we are able to deconstruct negative attitudes about migrants and how they fit into an increasingly cosmopolitan and diverse Europe. In 2008, the EU Parliament created the LUX Film Prize, an award that recognizes European films that embody European traditions, values and integration. In 2009, the prize was awarded to French Director Philippe Lioret’s film Welcome, the story of a Kurdish migrant in France hoping to reach Britain by swimming the English Channel. Despite its fictional scope, it was highly politicized and controversial due to its critical approach of French refugee policies, specifically the L622-1 law prohibiting citizens from offering assistance to undocumented migrants. Following the EU Commission’s acknowledgement of the need to further involve citizens in debates on European issues, this article argues that the LUX Prize is an innovative medium to foster debate and discussion on matters of migration within a wider European public sphere. It has also provided a platform for those outside the political landscape to help shape the discourse on migration, thus reinforcing a more inclusive European civic participation on matters directly affecting them as citizens.