Skip to content
1981
Volume 9, Issue 1
  • ISSN: 2052-3971
  • E-ISSN: 2052-398X

Abstract

In December 1997, the National Museum of Contemporary Art (Ethniko Mouseio Synchronis Technis EMST) was established by law in Athens under the auspices of the Hellenic Ministry of Culture, compensating for the long-term absence of a state museum of contemporary art in Greece. Following the restitution of democracy in 1974, the question ‘what kind of museum do we need for contemporary art in Greece?’ was raised by artists and other professionals (critics, curators, gallerists, researchers) and explored through a series of public debates and events. However, only in the 1990s was this demand supported by politicians, eventually leading to the establishment of the EMST in 1997. This article examines the public debates developed by art professionals from 1976 to 1997 regarding the mission of the museum as an open, experimental institution in relation to the broader cultural and sociopolitical context. It also analyses the legislation related to its establishment and questions whether the above priorities and expectations were reflected in the relevant legal provisions.

Funding
This study was supported by the:
  • ‘The National Museum of Contemporary Art in Greece (EMST): History, institutional framework, narratives, perspectives’ (Award MIS: 82646)
  • Greece and the European Union (European Social Fund-ESF)
Loading

Article metrics loading...

/content/journals/10.1386/jgmc_00065_1
2023-06-05
2026-04-14

Metrics

Loading full text...

Full text loading...

/deliver/fulltext/jgmc/9/1/jgmc.9.1.3_Pandi.html?itemId=/content/journals/10.1386/jgmc_00065_1&mimeType=html&fmt=ahah

References

  1. Adamopoulou, Areti. ( 2003;), ‘ Sto pedio tou efimerou: Skepseis gia ti methodologia tis erevnas stin elliniki eikastiki skini meta to 1960’ (‘In the field of the ephemeral. Thoughts on the methodology of research in Greek artistic scene after 1960. ’), in E. Matthiopoulos, and N. Hadjinicolaou. (eds), Istoria tis Texnis stin Ellada (‘History of art in Greece’), Rethymnon:: Crete University Press;, pp. 85101.
    [Google Scholar]
  2. Adamopoulou, Areti, and Maro, Psyrra. ( 2014;), ‘ Nineteenth- and twentieth-century Greek art in primary and secondary markets: Some observations. ’, Procedia – Social and Behavioral Sciences, 148, pp. 40411.
    [Google Scholar]
  3. Alberro, Alexander. ( 2009;), ‘ Institutions, critique, and institutional critique. ’, in A. Alberro, and B. Stimson. (eds), Institutional Critique: An Anthology of Artists’ Writing, Cambridge, MA:: MIT Press;, pp. 219.
    [Google Scholar]
  4. Alivizatos, Nikolaos. ( 2021), in-person interview with Marina Markellou, Athens, 23 February.
  5. Andreadi, Efi. ( 1976;), ‘ Ohi ena “mouseio” – ena perivallon eleftheris skepsis, pnevmatikis gennaiodorias kai tolmis’ (‘Not a “museum” – An environment of free thought, spiritual generosity, and courage’). , Anti, 58, 13 November, p. 44.
    [Google Scholar]
  6. Anon. ( 1982;), ‘ Protaseis gia to pentaetes programma ton eikastikon technon. Ekponithikan apo thn Diefthinsi Kalon technon tou YPPE’ (‘Suggestions for the five-year programme in the fine arts. Prepared by the Directorate of Fine Arts, Department of Fine Arts of the Ministry of Culture’). , Eikastika, 18, June, pp. 711.
    [Google Scholar]
  7. Benos, Stavros. ( 2020), in-person interview with Tina Pandi and Marina Markellou, Athens, 8 October.
  8. Bishop, Claire. ( 2014), Radical Museology, Or ‘What’s Contemporary’ in Museums of Contemporary Art?, London:: Koenig Books;.
    [Google Scholar]
  9. Botsoglou, Chronis. ( 1996;), ‘ Provlimatismoi kai katefthinseis gia tin ethniki eikastiki politiki’ (‘Concerns and directions for the national art policy. ’), Ta Nea tis technis, 46, March, p. 12.
    [Google Scholar]
  10. Bounia, Alexandra. ( 2012;), ‘ Cultural policy in Greece: The case of the national museums (1990–2010) – An overview. ’, in A. B. Amundsen and L. Eilertsen (eds), Museum Policies in Europe 1990–2010: Negotiating Professional and Political Utopia, Eunamus Report No.3, Linköping:: Linköping University Electronic Press;, pp. 12756.
    [Google Scholar]
  11. Bounia, Alexandra, and Gazi, Andromachi. (eds) ( 2012), Ethnika Mouseia sti notia Evropi. Istoria kai prooptikes (‘National museums in southern Europe: History and perspectives’), Athens:: Kaleidoskopio;.
    [Google Scholar]
  12. Bourdieu, Pierre. ( [1966] 1991), The Love of Art: European Art Museums and Their Public (trans. C., Beattie, and N., Merriman.), Cambridge:: Polity Press;.
    [Google Scholar]
  13. Brown, Karen, and Mairesse, François. ( 2018;), ‘ The definition of the museum through its social role. ’, Curator: The Museum Journal, 61:4, pp. 52539.
    [Google Scholar]
  14. Bryan-Wilson, Julia. ( 2003;), ‘ A curriculum for institutional critique, or the professionalization of conceptual art. ’, in J. Ekeberg. (ed.), New Institutionalism, Verksted #1, Oslo:: Office for Contemporary Art Norway;, pp. 89108.
    [Google Scholar]
  15. Cameron, Duncan F.. ( 1971;), ‘ The museum, a temple or the forum. ’, Curator: The Museum Journal, 14:1, pp. 1124.
    [Google Scholar]
  16. Christofoglou, Martha. ( 1977;), ‘ Gia to mouseio sighronis technis’ (‘For the museum of contemporary art. ’), Chroniko (‘Chronicle’), Athens:: Kallitechniko Pneumatiko Kentro Ora;, pp. 12024.
    [Google Scholar]
  17. Christofoglou, Martha-Elli. ( 2003;), ‘ I eikastikes tehnes 1974–2000’ (‘Plastic arts 1974–2000. ’), in V. Panagiotopoulos. (ed.), Istoria tou neou ellhnismou (‘History of the new Hellenism’), Athens:: Ellinika Grammata;, pp. 27795.
    [Google Scholar]
  18. Daskalothanassis, Nikos. ( 2003;), ‘ I chrisi ton óron “monterno” kai “monternismos” stin istoria tis technis stin Ellada’ (‘The use of terms “modern” and “modernism” in the history of art in Greece. ’), in E. Matthiopoulos, and N. Hadjinicolaou. (eds), Istoria tis Texnis stin Ellada (‘History of art in Greece’), Rethymnon:: Crete University Press;, pp. 10315.
    [Google Scholar]
  19. DeRoo, Rebecca J.. ( 2006), The Museum Establishment and Contemporary Art: The Politics of Artistic Display in France after 1968, New York:: Cambridge University Press;.
    [Google Scholar]
  20. Despotopoulos, Ioannis, and Katakouzinos, Angelos. ( 1961), ‘Mouseíon Monternas Technis’ (‘Museum of modern art’), in Ithografika taxídia stin Ellada – Théatro – Omiloun oi eidikoi (‘Ethnographic travels in Greece – Theater – The experts speak’), Athens:: National Radio Institute;, p. 287.
    [Google Scholar]
  21. Diamantouros, Nikiforos. ( 2000), Politismikos dyismos kai politikí allagi stin Ellada tis Metapolítefsis: plaísio ermineías (‘Cultural dualism and political change in post-colonial Greece: A framework of interpretation’), Athina:: Alexandria;.
    [Google Scholar]
  22. Diga, Kleopatra. ( 2020), telephone interview with Tina Pandi, Kefallonia, 1 December.
  23. Dimitreas, Vangelis. ( 1976;), ‘ Mouseio-ergastirio, ohi nekrotafeio’ (‘Museum-laboratory, not cemetary. ’), Anti, 50, 24 July, p. 51.
    [Google Scholar]
  24. Dimitreas, Vangelis. ( 1978;), ‘ Gia to mouseio sighronis technis’ (‘For the museum of contemporary art. ’), Themata horou + technon, 9, pp. 1315.
    [Google Scholar]
  25. Doumanis, Orestis. ( 1978;), ‘ To mouseio sighronis technis kai to elliniko montelo anaptyxis’ (‘The museum of contemporary art and the “Greek” model of development. ’), Themata horou + technon, 9, p. 12.
    [Google Scholar]
  26. Gaudibert, Pierre. ( 1977), Action culturelle: Intégration et ou subversion, Paris:: Casterman;.
    [Google Scholar]
  27. Georgiou, Vassia. ( 2021), telephone interview with Tina Pandi and Marina Markellou, Athens, 26 February.
  28. Gerogianni, Eirini. ( 2020), I performance stin Ellada 1968–1986 (‘Performance in Greece 1968–1986’), Athens:: Futura;.
    [Google Scholar]
  29. Hainis, Yiannis. ( 2002;), ‘ Omada technis A’ (‘Art group A’). , Ekriktikí eikosaetía 1949–1967 (The explosive twenty years 1949–1967), 10–12 November, Athens Moraitis School, Athens:: Society for the Study of Modern Greek Culture and General Education;, pp. 34962.
    [Google Scholar]
  30. Hamalidi, Elena. ( 2015;), ‘ To protoporiakó aítima tis “enosis technis kai zoís” stin ellinikí sýnchroni techni, kata tin período 1960–1980’ (‘The avantgarde demand of the “union of art and life”. ’), in M. Avgeridis,, E. Gazi, and K. Kornetis. (eds), Metapolítefsi: i Ellada sto metechmio dyo aionon (‘Metapolitefsi: Greece on the verge of two centuries’), Athens:: Themelio;, pp. 283301.
    [Google Scholar]
  31. Hamilakis, Yannis, and Yalouri, Eleana. ( 1996;), ‘ Antiquities as symbolic capital in modern Greek society. ’, Antiquity, 70, pp. 11829.
    [Google Scholar]
  32. Iliopoulou-Rogan, Dora. ( 1976a;), ‘ Gia ena mouseio syghronis technis’ (‘For a museum of contemporary art. ’), Anti, 50, 24 July, p. 50.
    [Google Scholar]
  33. Iliopoulou-Rogan, Dora. ( 1976b;), ‘ Symperasmata tis erevnas’ (‘Conclusions of the research. ’), Anti, 58, 13 November, p. 45.
    [Google Scholar]
  34. Jagodzińska, Katarzyna. ( 2015;), ‘ Paradoxes of contemporaneity in museums of art: The temporal limits. ’, in K. Jagodzińska, and J. Purchla. (eds), The Limits of Heritage, Krakow:: The 2nd Heritage Forum of Central Europe;, pp. 86101.
    [Google Scholar]
  35. Kafetsi, Anna. ( 1994;), ‘ Ti mouseio theloume kai giati?’ (‘What kind of museum of contemporary art do we want and why?. ’), To Vima, 2 June, p. 38.
    [Google Scholar]
  36. Kafetsi, Anna. ( 2021), in-person interview with Tina Pandi and Marina Markellou, Athens, 4 February, 19 February and 26 March.
  37. Kardoulaki, Artemis. ( 1991;), ‘ Gia to mouseio syghronis technis. Anafores, yposheseis, prospatheies’ (‘For the museum of contemporary art. Reports, suggestions, promises, efforts. ’), Ta Nea tis technis, 1 October, p. 2.
    [Google Scholar]
  38. Katimertzi, Paraskevi. ( 1989;), ‘ Stegi gia ton politismo’ (‘A shelter for contemporary culture. ’), Ta Nea, 24 March, p. 12.
    [Google Scholar]
  39. Konsola, Dora. ( 1999;), ‘ La politique culturelle de la Grèce. ’, Pôle Sud, 10, pp. 2744.
    [Google Scholar]
  40. Konsola, Dora. ( 2006), Politistiki Anaptiksi kai Politiki (‘Cultural policy and development’), Athens:: Papazisi;.
    [Google Scholar]
  41. Kontaratos, Savvas. ( 2021), telephone interview with Tina Pandi and Marina Markellou, Athens, 26 February.
  42. Kotzamani, Maria. ( 1976;), ‘ … mouseio pano se sygekrimenes vaseis kai ohi outopistikes aoristologies’ (‘…Museum on concrete foundations and not utopian vagueness. ’), Anti, 58, 13 November, p. 43.
    [Google Scholar]
  43. Kounenaki, Peggy. ( 1988), Neoi Ellines realists 1971–1973: I eikastiki kai koinoniki paremvasi mias omadas (‘New Greek Realists 1971–1973: The visual and social intervention of a group’), Athina:: Exantas;.
    [Google Scholar]
  44. Lorente, Jesús Pedro. ( 2011), The Museums of Contemporary Art: Notion and Development, London and New York:: Routledge;.
    [Google Scholar]
  45. Mairesse, François. ( 2010), Le Musée hybride, Paris:: La Documentation Française;.
    [Google Scholar]
  46. Mairesse, Francois, and Desvallées, André. ( 2010), Key Concepts of Museology, International Council of Museums, Paris:: Armand Colin;.
    [Google Scholar]
  47. Michaelidou, Mary. ( 2020), telephone interview, with Tina Pandi and Marina Markellou Volos, 13 November.
  48. Mikroutsikos, Thanos. ( 1995;), ‘ Gia tin ethinki eikastiki politiki’ (‘Regarding the national visual arts policy. ’), Ta Nea tis technis, 37, April, p. 9.
    [Google Scholar]
  49. Montmann, Nina. ( 2006), Art and Its Institutions: Current Conflicts, Critique and Collaborations, London:: Black Dog;.
    [Google Scholar]
  50. Papadakis, Nikos. ( 1977;), ‘ Mouseio syghronis technis: Ypotheseis, dierevniseis kai alles poikilies’ (‘Museum of contemporary art. Hypotheses, investigations and other variations. ’), Sima, 18, July–August, p. 3.
    [Google Scholar]
  51. Papadimitriou, Lydia, and Durden, Marc. ( 2018;), ‘ Messages in the streams of history: A dialogue with sculptor Theodoros. ’, Journal of Greek Media & Culture, 4:1, pp. 10728.
    [Google Scholar]
  52. Papadopoulou, Bia. ( 2005), The Years of Defiance: The Art of the ’70s in Greece, Athens:: EMST;.
    [Google Scholar]
  53. Pavlidis, Manos. ( 1977), Ypothesi Proti – Michanismos Sintirisis tis technis (‘1st hypothesis, museum – Mechanism of conservation of art’), Athens:: Desmos Art Gallery;.
    [Google Scholar]
  54. Pavlidis, Manos,, Vakalo, Eleni,, Mavromattis, Emmanouil,, Fatouros, Dimitris,, Kotzamani, Maria, and Xydis, Alexandros. ( 1977), Υpothesi defteri – Mouseio Michanismos axiologisis tis technis (‘2nd hypothesis: Museum-mechanism of evaluation of contemporary art’), Athens:: Desmos Art Gallery;.
    [Google Scholar]
  55. Petris, Yiorgos. ( 1976;), ‘ Hreiazetai ena “anti-mouseio” kinoumeno kai ohi statiko’ (‘We need an “anti-museum” moving and not static. ’), Anti, 58, 13 November, p. 44.
    [Google Scholar]
  56. Pollock, Grisedla. ( 2007), Museums after Modernism, Malden, MA:: Blackwell Publishing;.
    [Google Scholar]
  57. Prokopiou, Angelos. ( 1962;), ‘ Ta akatanoita kai ta katanoita gia to mouseio syghronis’ (‘The incomprehensible and the comprehensible for the museum of contemporary art. ’), Nees Morfes, 4, p. 5.
    [Google Scholar]
  58. Rectanus, Mark W.. ( 2006;), ‘ Globalization: Incorporating the museum. ’, in S. Macdonald. (ed.), A Companion to Museum Studies, Malden, MA and Oxford:: Blackwell Pubishing;.
    [Google Scholar]
  59. Schubert, Karsten. ( 2000), The Curator’s Egg: The Evolution of the Museum Concept from the French Revolution to the Present Day, London:: One-Off Press;.
    [Google Scholar]
  60. Skaltsa, Matoula. ( 2012;), ‘ To thesmiko plaisio ton eikastikon technon stin Ellada ti dekaetia tou 80’ (‘Τhe institutional framework of the visual arts in Greece in the 1970s. ’), in L. Yioka. (ed.), Mouseia 06: Dialexeis kai meletes gia tis politismikes spoudes kai eikastikes technes (‘Museums 06: Lectures and studies on cultural studies and visual arts’), Thessaloniki:: Ziti;, pp. 11837.
    [Google Scholar]
  61. Spanoudaki, Maria. ( 2017;), ‘ The ambition for a museum of contemporary art in Greece. ’, MA thesis, Central Saint Martins:: University of the Arts London.
    [Google Scholar]
  62. Spiliadi, Beatrice. ( 1976;), ‘ … anoigma se oso ginetai pio platia symmetohi tou laou sthn aisthitiki kalliergeia’ (‘…Opening to a wider participation of the people in the aesthetic cultivation. ’), Anti, 58, 13 November, pp. 4344.
    [Google Scholar]
  63. Spiliadi, Beatrice. ( 1977a;), ‘ Etos mouseiou syghronis technis: Diafores apopseis, taseis kai prooptikes’ (‘Year of the museum of contemporary art: Various views, tendencies, and perspectives. ’), I Kathimerini, 29 June, p. 6.
    [Google Scholar]
  64. Spiliadi, Beatrice. ( 1977b;), ‘ O Kathigitis tis koinoniologias kai Genikos grammateus tou Ypourgeiou G. Kavvadias episimainei tin anagi dimiourgias mouseiou syghronis technis’ (‘The professor of sociology and general secretary of the ministry, Mr. G. Kavvadias, points out the need to create a museum of contemporary art. ’), I Kathimerini, 24 October, p. 12.
    [Google Scholar]
  65. Spiliadi, Beatrice. ( 1977c;), ‘ Dierevniseis gia to mouseio syghronis technis parousia tou Ypourgou Politismou k.Trypani’ (‘Investigations for the museum of contemporary art in Panteion at the presence of the minister of culture, Mr Trypanis. ’), I Kathimerini, 14 May, n.pag.
    [Google Scholar]
  66. Spiliadi, Beatrice. ( 1977d;), ‘ Ypothetiko mouseio syghronis technis kai idiotiki protovoulia’ (‘Hypothetical museum of contemporary art and private initiative’). , I Kathimerini, 19 March, p. 7.
    [Google Scholar]
  67. Spiteris, Tony. ( 1976;), ‘ Fileleftheros, pallomenos, zontanos organismos kai pyrinas peiramatismou’ (‘Liberal, pulsating, living organism and experimentation core. ’), Anti, 55, October, p. 47.
    [Google Scholar]
  68. Stimson, Blake. ( 2009;), ‘ What was institutional critique?. ’, in A. Alberro, and B. Stimson. (eds), Institutional Critique: An Anthology of Artists’ Writing, Cambridge, MA:: MIT Press;, pp. 2042.
    [Google Scholar]
  69. Sorogas, Sotiris. ( 2020), in-person interview with Tina Pandi, Athens, 19 October.
  70. Theodoros ( 1976;), ‘ I sighroni techni: istoriki anagaiotita’ (‘Contemporary art: A historical necessity’). , Anti, 50, 24 July, pp. 5152.
    [Google Scholar]
  71. Theodoros ( 1977;), Epílogos – Mouseio kafeneio (‘Epilogue – Museum café. ’), Athens:: Desmos Art Gallery;.
    [Google Scholar]
  72. Theodoros ( 1984), Stigmata porias: ihni stin ammo ton lexeon (‘Journey’s marks: Traces on the sand of worlds’), Athens:: Estia;.
    [Google Scholar]
  73. Theodoros ( 1991;), ‘ I elleipsi tou mouseiou syghronis technis ehei kanei tromeri zhmia stous ellines dimiourgous’ (‘The lack of a museum of contemporary art caused severe damage to greek creators. ’), Ta Nea ths technis, 3, December, p. 9.
    [Google Scholar]
  74. Touyas, George. ( 1976;), ‘ To thema tou anikei stous ellines dimiourgous’ (‘Its subject belongs to the artists-creators. ’), Anti, 50, 24 July, pp. 5253.
    [Google Scholar]
  75. Vakalo, Eleni. ( 1976;), ‘ … to vlepo san kardia dimiourgikou palmou gia ton topo’ (‘... I see it as the heart of a creative pulse for the country. ’), Anti, 56, 16 October, p. 42.
    [Google Scholar]
  76. Vamvakas, Vassilis, and Panagiotopoulos, Panagis. (eds) ( 2014), I Ellada sti dekaetía tou ‘80: koinoniko, politiko kai politismiko lexiko (‘Greece in the 80s: Social, political and cultural dictionary’), Athens:: Epikentro;.
    [Google Scholar]
  77. Vardakas, Christos. ( 2020), in-person interview with Tina Pandi and Marina Markellou, Athens, 5 November.
  78. Veltsos, Yiorgos. ( 1977;), ‘ I eisigisi tou stin Panteio’ (‘His announcement in Panteio. ’), Sima, 18, p. 8.
    [Google Scholar]
  79. Venizelos, Evangelos. ( 2020), online (Zoom) interview with Tina Pandi and Marina Markellou, Thessaloniki, 12 November.
  80. Von Bismarck, Beatrice,, Munder, Heike, and Schneemann, Peter J.. ( 2016), Now-Tomorrow-Flux: An Anthology on the Museum of Contemporary Art, Zurich:: JRP Ringier;.
    [Google Scholar]
  81. Voudouri, Daphne. ( 2003), Kratos kai Mouseia (‘The state and the museums’), Athens:: Sakkoulas;.
    [Google Scholar]
  82. Xagoraris, Pantelis. ( 1966;), ‘ Apopseis gia tin idrysi mouseiou syghronis technis’ (‘Opinions on the establishment of a museum of contemporary art. ’), Epitheorisi technis, 136, pp. 46568.
    [Google Scholar]
  83. Xydis, Alexandros G.. ( 1974;), ‘ Skepseis kai protaseis gia mia politiki ton technon’ (‘Thoughts and suggestions for an arts policy. ’), Anti, 14:55, pp. 4950.
    [Google Scholar]
  84. Xydis, Alexandros G.. ( 1976;), ‘ … na katastei kentro aktinovolías tis synchronis technis ohi móno gia tin Elláda’ (‘… To become a center of radiation of contemporary art not only for Greece. ’), Anti, 55, 2 October, p. 47.
    [Google Scholar]
  85. Xydis, Alexandros G.,, Varopoulou, Eleni,, Kazazi, Sofia,, Lambraki-Plaka, Marina,, Iliopoulou-Rogan, Dora, and Spiliadi, Beatrice. ( 1981), Perivallon-Drasi: Taseis tis ellinikis technis símera (‘Environment-action: Tendencies of Greek art today’), Athens:: Association of Greek Art Critics;.
    [Google Scholar]
  86. Xydis, Alexandros G.. ( 1994;), ‘ Gia to Mouseio Synchronis Technis’ (‘Regarding the museum of contemporary art. ’), Anti, 1994:559, pp. 5455.
    [Google Scholar]
  87. Zenakos, Avgoustinos. ( 2014;), ‘ DESTE. ’, in V. Vamvakas, and P. Panagiotopoulos. (eds), I Ellada sti dekaetía tou ‘80: koinoniko, politiko kai politismiko lexiko (‘Greece in the 80s: Social, political and cultural dictionary’), Athens:: Epikentro;, pp. 10407.
    [Google Scholar]
  88. Zorba, Myrsini. ( 2009;), ‘ Conceptualizing Greek cultural policy: The non-democratization of public culture. ’, International Journal of Cultural Policy, 15:3, pp. 24559.
    [Google Scholar]
  89. Zorba, Myrsini. ( 2011;), ‘ La politique culturelle de la Grèce: La culture comme objet de politique publique’ (‘The cultural policy of Greece: Culture as object of public policy’). , in P. Poirrier. (ed.), Pour une histoire des politiques culturelles dans le monde, 1945–2011, Paris:: La documentation française;, pp. 26594.
    [Google Scholar]
  90. Kleopatra Diga Archive.
  91. Artemis Kardoulaki Archive.
  92. Mary Michaelidou Archive.
  93. Pantelis Xagoraris Archive (EMST Art Archive).
  94. EMST Archives.
  95. Tony Spiteris Archive (Telloglion Foundation Archive).
  96. Theodoros Archive (EMST Art Archive).
  97. Alexandros Xydis Archive.
  98. Desmos Art Gallery Archive (ISET).
  99. Archive of the Hellenic Ministry of Culture.
  100. Pandi, Tina,, Markellou, Marina,, Solomon, Esther, and Valianatos, Thomas. ( 2023;), ‘ From public debates to institutional establishment: Exploring the mission of the National Museum of Contemporary Art in Greece. ’, Journal of Greek Media & Culture, 9:1, pp. 320, https://doi.org/10.1386/jgmc_00065_1
    [Google Scholar]
/content/journals/10.1386/jgmc_00065_1
Loading
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error
Please enter a valid_number test