Skip to content
1981
  1. Home
  2. A-Z Publications
  3. Journal of Italian Cinema & Media Studies
  4. Online First Articles
  5. Online First Article
image of A Roman holiday with ‘open heritage’? Exploring copyright law and cultural heritage law’s role for our collective cultural interest in Italian film and Italian fashion

Abstract

This article explores how the law affects an audience’s collective recognition that a film and fashion in film is of cultural interest. It argues that copyright law today can play an important and crucial role in a film’s continued relevance and in the preservation and valorization of cinema as copyright law regulates the copying and display of a film and its images, including the fashion images within it. Likewise, it shows how cultural heritage law plays an important and crucial role in the preservation and continued relevance of fashion through film as cultural heritage law applies certain rules and norms to the preservation of film reels and the archives and institutions in which they are stored. The article uses (Wyler 1953) and (Fellini 1960) as case studies and considers Cinecittà’s description of itself as an ‘open heritage’ to explore the relationship between law, fashion and film.

© 2024 Intellect Ltd
Loading

Article metrics loading...

/content/journals/10.1386/jicms_00250_1
2024-04-16
2024-10-08
Loading full text...

Full text loading...

References

  1. Aalmuhammed v. Lee (2000), 202 F.3d, p. 1227.
  2. Anon. (2013), ‘Cinecittà intitola il Teatro 5 a Fellini’, Rainews, 20 December, http://www.rainews.it/archivio-rainews/articoli/fellini-teatro-5-cinecitta-07b0636a-e260-4682-8f3d-e9caa3ca0773.html. Accessed 29 January 2022.
     [Google Scholar]
  3. Anon. (2018), ‘Cinecittà si mostra’, Facebook, 19 June, https://www.facebook.com/cinecittasimostra/posts/1855474881181634?comment_tracking=%7B%22tn%22%3A%22O%22%7D. Accessed 29 January 2022.
     [Google Scholar]
  4. Anon. (n.d.) ‘AFI|Catalog’, https://www.catalog.afi.com/Catalog/moviedetails/50997. Accessed 3 October 2021.
  5. Anyanwu, Obi (2021), ‘Balenciaga and Fortnite debut physical, digital collections and world’, WWD, 20 September, https://wwd.com/feature/balenciaga-and-fortnite-debut-physical-digital-collections-and-hub-1234930335/. Accessed 3 October 2021.
     [Google Scholar]
  6. Cantucci, Michele (1953), La Tutela Giuridica delle Cose di Interesse Artistico e Storico, Padova: CEDAM.
     [Google Scholar]
  7. Caponigri, Felicia (2021), ‘Fashion’s brand heritage, cultural heritage, and the piracy parado’, Cardozo Arts & Entertainment Law Journal, 39:2, pp. 557–605.
     [Google Scholar]
  8. Casini, Lorenzo (2011), ‘“Italian Hours”: The globalization of cultural property law’, International Journal of Constitutional Law, 9:2, pp. 369–93.
     [Google Scholar]
  9. Catalog of US Copyright Office (n.d.), https://cocatalog.loc.gov/cgi-bin/Pwebrecon.cgi?DB=local&PAGE=First. Accessed 26 September 2021.
  10. Codice dei Beni Culturali (2004), D.L. n. 42/2004, https://www.altalex.com/documents/codici-altalex/2014/11/20/codice-dei-beni-culturali-e-del-paesaggio. Accessed 29 January 2022.
  11. Cons. Stato Sez. VI, Sent., 26/07/2016, n. 3363, LEGGI D’ITALIA.
  12. Cons. St., Sez. VI, 14/06/2017, (ud. 04/05/2017, dep. 14/06/2017), n. 2920, LEGGI D’ITALIA.
  13. Cons. Stato Sez. VI, Sent., (ud. 10/11/2022) 14-03-2023, n. 2641.
  14. Copyrights (1976), 17 USC §101 et seq, https://www.govinfo.gov/content/pkg/USCODE-2011-title17/pdf/USCODE-2011-title17.pdf. Accessed 29 January 2022.
  15. Crowell, Thomas A. (2015), Pocket Lawyer for Filmmakers: A Legal Toolkit for Independent Producers, Burlington: Focal.
     [Google Scholar]
  16. De Santi, Chiara (2016), ‘L’americanizzazione negli anni Cinquanta tra Roman Holiday e Un americano a Roma’, Cinema e Storia, V, pp. 97–110, https://www.torrossa.com/it/resources/an/4022354. Accessed 3 October 2021.
     [Google Scholar]
  17. European Union (2019), ‘Directive (EU) 2019/790 of the European Parliment and of the council of 17 April 2019 on copyright and related rights in the Digital Single Market and amending Directives 96/9 EC and 2001/29/EC’, Official Journal of the European Union, L130/92, http://data.europa.eu/eli/dir/2019/790/oj. Accessed 30 January 2022.
     [Google Scholar]
  18. Fashion Doll Chronicles (2021), ‘Roman Holiday’, https://fashiondollchronicles.com/fashiondollchronicles/tag/Roman+Holiday. Accessed 3 October 2021.
  19. Fellini, Federico (1960), La dolce vita, Italy: Riama Film.
     [Google Scholar]
  20. Felliniana: Ferretti Dreams Fellini (2021), booklet, on file with the author.
     [Google Scholar]
  21. Fesnya, Anastasia, Pet’ko, Lyudmila and Turchynova, Ganna (2021), The Spanish Steps in Rome and Movie Roman Holiday (1953), New York: International Science Group.
     [Google Scholar]
  22. Giannini, Massimo Severo (1976), ‘I Beni Culturali’, Rivista Trimestrale di Diritto Pubblico, 31:1, pp. 3–38.
     [Google Scholar]
  23. Gordon, Robert S. C. (2014), ‘Hollywood and Italy: Industries and fantasies’, in P. Bondanella (ed.), The Italian Cinema Book, London: Bloomsbury, pp. 123–30.
     [Google Scholar]
  24. Goretti, Barbara (2021), ‘Cinecittà: An open heritage’, in Cinecittà: Un Patrimonio Aperto, Milan: Skira, pp. 28–43.
     [Google Scholar]
  25. IMDb (n.d.), ‘La città delle donne’, 28 March, https://www.imdb.com/title/tt0080539/. Accessed 29 January 2022.
     [Google Scholar]
  26. Int’l Media Films, Inc. v. Lucas Ent., Inc. (2010), 703 F. Supp. 2d, p. 456.
  27. ItsNotYouItsMe (2021), ‘Roman Holiday’, https://www.itsnotyouitsme.org/2015/08/romanholiday.html. Accessed 3 October 2021.
  28. Keller, Paul (2019), ‘Explainer: What will the new EU copyright rules change for Europe’s cultural heritage institutions’, Europeana Pro, 9 June, https://pro.europeana.eu/post/explainer-what-will-the-new-eu-copyright-rules-change-for-europe-s-cultural-heritage-institutions. Accessed 30 January 2022.
     [Google Scholar]
  29. Kramer, Peter (2000), ‘Faith in relations between people: Audrey Hepburn, Roman Holiday, and European integration’, in D. Holmes and A. Smith (eds), 100 Years of European Cinema: Entertainment or Ideology, Manchester and New York: St Martins Press, pp. 195–206.
     [Google Scholar]
  30. Legge sul Diritto d’Autore (1941), Art 2 (6) et seq, Law n. 633/1941, https://www.altalex.com/documents/codici-altalex/2014/06/26/legge-sul-diritto-d-autore. Accessed 29 January 2022.
  31. Macmillan, Fiona (2021), Intellectual and Cultural Property: Between Market and Community, New York: Routledge.
     [Google Scholar]
  32. Ministero della Cultura Franceschini (2021), ‘A Cinecittà nascerà grande hub del cinema europeo’, 2 September, https://cultura.gov.it/comunicato/21224. Accessed 16 April 2023.
  33. Miskell, Peter and Nicoli, Marina (2016), ‘From outsiders to insiders? Strategies and practices of American film distributors in postwar Italy’, Enterprise & Society, 17:3, pp. 546–90, [Crossref].
     [Google Scholar]
  34. Montini, Franco (2010) ‘Dolce Vita, capolavoro senza padroni il copyright è un pasticcio mondiale’, La Repubblica, 15 April, https://ricerca.repubblica.it/repubblica/archivio/repubblica/2010/04/15/dolce-vita-capolavoro-senza-padroni-il-copyright.html. Accessed 29 January 2022.
     [Google Scholar]
  35. Murphy, Amy (2006), ‘Traces of the flâneuse’, Journal of Architectural Education, 60:1, pp. 33–42.
     [Google Scholar]
  36. Paulicelli, Eugenia (2016), Italian Style: Fashion and Film from Early Cinema to the Digital Age, London: Bloomsbury.
     [Google Scholar]
  37. Paulicelli, Eugenia (2022) ‘Made in Italy: Translating cultures from Gucci to Dapper Dan and back’, Textile, 20:2, pp. 1–15.
     [Google Scholar]
  38. Pinterest (2021) ‘Roman Holiday. Claudia Schiffer photographed by Arthur Elgort for Vogue US in Rome, December 1994 | Vogue editorial, fashion, fashion models’, https://www.pinterest.com/pin/112449321924966893/. Accessed 3 October 2021.
  39. Pirri Valentini, Anna (2022), ‘Translating the concept of “cultural identity” in public policies: Between the international and the national, and the tangible and intangible dimension’, International Journal of Constitutional Law, 19:5, pp. 1–22.
     [Google Scholar]
  40. Rees-Roberts, Nick (2018), Fashion Film: Art and Advertising in the Digital Age, London: Bloombsury.
     [Google Scholar]
  41. Samuelson, Pamela (2020), ‘Regulating technology through copyright law: A comparative perspective’, European Intellectual Property Review, 42, pp. 1–17.
     [Google Scholar]
  42. Scafidi, Susan (2001), ‘Intellectual property and cultural products’, Boston University Law Review, 81, pp. 793–842.
     [Google Scholar]
  43. Serra, Leonardo (2021), ‘Copyright e diritti nel mercato digitale: Attuata la Direttiva UE’, Altalex, 14 December, https://www.altalex.com/documents/news/2021/12/14/copyright-e-diritti-nel-mercato-digitale-attuata-la-direttiva-ue#p3. Accessed 30 January 2022.
     [Google Scholar]
  44. Spagnoli, Marco (2021), ‘The Italian Jobs: Paramount Pictures & Italy – Eng sub’, YouTube, 12 June, https://www.youtube.com/watch?v=8x_pfLusJjk. Accessed 4 October 2021.
     [Google Scholar]
  45. Spedicato, Giorgio (2020), Principi di diritto d’autore, Bologna: Il Mulino.
     [Google Scholar]
  46. Sprigman, Chris and Raustiala, Kal (2006), ‘The piracy paradox: Innovation and intellectual property in fashion design’, Virginia Law Review, 92:8, pp. 1687–777.
     [Google Scholar]
  47. Stabile, Silvia and Negri-Clementi, Gianfranco (2012), ‘L’arte e il diritto d’autore’, in Il Diritto dell’Arte: L’arte, il diritto e il mercato, vol. 1, Skira: Milano, pp. 61–139.
     [Google Scholar]
  48. Star Athletica, L.L.C. v. Varsity Brands, Inc. (2017), 137 S. Ct., p. 1002.
  49. Steele, Valerie (1997), Fifty Years of Fashion: New Look to Now, New Haven, CT: Yale University Press.
     [Google Scholar]
  50. Tangcay, Jazz (2020), ‘Why restoring 1953’s Roman Holiday was no day at the beach for Paramount’s preservation team’, Variety, 17 September, https://variety.com/2020/artisans/production/paramount-preservation-roman-holiday-1234772150/. Accessed 3 October 2021.
     [Google Scholar]
  51. Tecnica v. Anniel, Tribunale Milano Sez. spec. in materia di imprese, Sent., 12/07/2016, LEGGI D’ITALIA.
     [Google Scholar]
  52. TFL (2021), ‘From NFTs to virtual fashion: A look at the year in the metaverse’, Fashion Law, 22 December, https://www.thefashionlaw.com/from-nfts-to-virtual-goods-trademarks-a-year-in-the-metaverse. Accessed 29 January 2021.
     [Google Scholar]
  53. Tribunale Milano Sez. spec. in materia di imprese, Sent., 25/01/2021, LEGGI D’ITALIA.
  54. UNESCO (2003), ‘UNESCO: Text of the Convention for the Safeguarding of the Intangible Cultural Heritage’, https://www.ich.unesco.org/en/convention. Accessed 16 April 2023.
  55. UNESCO (2012), ‘International Memory of the World Register: Newsreels and photographs of Istituto Nazionale’, https://zh.unesco.org/sites/default/files/italy_newsreels_photographs_luce.pdf. Accessed 29 January 2022.
  56. UNESCO (2017), ‘UNESCO: Art of Neapolitan “Pizzaiuolo”’, https://www.ich.unesco.org/en/RL/art-of-neapolitan-pizzaiuolo-00722. Accessed 29 January 2022.
  57. US copyright office (n.d.), ‘La dolce vita. By Astor Pictures, Inc.’, https://cocatalog.loc.gov/cgi-bin/Pwebrecon.cgi?v1=8&ti=1,8&Search%5FArg=la%20dolce%20vita&Search%5FCode=TALL&CNT=25&PID=ZYzk_54TfqUsRR9CuVKAxJHo4O&SEQ=20211121140646&SID=1. Accessed 16 April 2023.
  58. Wyler, William (1953), Roman Holiday, USA: Paramount.
     [Google Scholar]
/content/journals/10.1386/jicms_00250_1
Loading
A Roman holiday with ‘open heritage’? Exploring copyright law and cultural heritage law’s role for our collective cultural interest in Italian film and Italian fashion
Intellect ; https://doi.org/10.1386/jicms_00250_1
/content/journals/10.1386/jicms_00250_1
/content/journals/10.1386/jicms_00250_1
Loading

Data & Media loading...

  • Article Type: Article
Keywords: La Dolce Vita ; fashion film ; Cinecittà ; cultural institutions and film ; film heritage ; historic lists and registers ; Hollywood in Italy ; cultural property

Most Cited Most Cited RSS feed

This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error